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<p>[QUOTE="Plumbata, post: 3707040, member: 96864"]Ya gotta watch out for fake modern dies being pressed into genuine patinated ancient worn-smooth coins.</p><p><br /></p><p>Here's a presumed pressed fake Lipara example on ancient worn-smooth coin, ignoring the style some telltale signs are the very smooth flattened surfaces of the patina relative to the more natural and irregular patina on the unstruck/unpressed areas, and areas where the patina has flaked or broken off from the more "high stress" parts of the design, like some of the beading on the obverse where it actually seems to have left depressions where they broke off which would be unusual for a genuine coin. Often legends and high-relief design elements stress the patina too much and it comes off, which can be quite dramatic on some of the more obvious examples.</p><p><br /></p><p>The same sort of thing is done with some antiquities as well, so be careful.</p><p><br /></p><p>[ATTACH=full]993564[/ATTACH] [ATTACH=full]993565[/ATTACH][/QUOTE]</p><p><br /></p>
[QUOTE="Plumbata, post: 3707040, member: 96864"]Ya gotta watch out for fake modern dies being pressed into genuine patinated ancient worn-smooth coins. Here's a presumed pressed fake Lipara example on ancient worn-smooth coin, ignoring the style some telltale signs are the very smooth flattened surfaces of the patina relative to the more natural and irregular patina on the unstruck/unpressed areas, and areas where the patina has flaked or broken off from the more "high stress" parts of the design, like some of the beading on the obverse where it actually seems to have left depressions where they broke off which would be unusual for a genuine coin. Often legends and high-relief design elements stress the patina too much and it comes off, which can be quite dramatic on some of the more obvious examples. The same sort of thing is done with some antiquities as well, so be careful. [ATTACH=full]993564[/ATTACH] [ATTACH=full]993565[/ATTACH][/QUOTE]
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