I wish that one of our members here @Insider would drop by more often and weigh in on these kinds of questions. Although I'm sure when he was very young he had the same problem but being a pro now would help enlighten all of us. And I'm not taking a jab at anyone who has posted here.
Funny you say that. I do mess with two local old car groups and have been asked to judge at little local events. I declined because I know every shining Mopar with a big block will win my vote..... Now that I think about it..... I had the same problem with girls. Thank goodness I am married now!
The problem with me, other than I'm nuts, is that as I've gotten older my eye sight has declined. When I was younger I could pick up a coin and see its details clearly. Today I have a hard time even seeing the date without correction. So the many minor flaws I could see many years ago aren't an issue since they don't stand out.
I can commiserate..... I had eagle eye vision till ten years ago. Now I have to have readers and a loupe to see the date on a cent. You could sell me a 1909-S, VDB and I would just have to believe you. No way I could ever see those initials.
@Randy Abercrombie Randy I think there's 2 questions in your original post. 1 - how does one avoid missing things on coins ? And 2 - how does one train his/her eyes. Now I'll grant you that the 2nd can be and probably often is done in order to accomplish the 1st - but I see them as two different things. I also think the 1st is much easier than the 2nd. So on to the 1st, and if memory serves correctly I got this from Q. D. Bowers long enough ago that I can't remember exactly when. Start by looking at a coin in a circle, a circular pattern I guess would be better way of putting it. Look at the outside edge, just the outside edge, call it the rim if that helps ya understand what I mean, but also realize that sometimes the rim is not just not the outside edge, sometimes there isn't even a rim there, and go all the way around the coin focusing only that tiny little bit of the coin, and only one tiny piece of that little bit, at a time. Ignore everything else, don't even look at it, while you're doing this. When that's done, then work your way inwards, looking at the next tiny (in width) strip of the coin. And focus intensely on just tiny bits of that next strip, and all the way around the coin. Simply put you work your way inwards in tiny bits and pieces, always in a circle. And along the way you always make note of everything ya see. Now if circles are a problem for ya then you can do the same thing in lines, just like you're reading this text - your eyes automatically move that way anyhow because they're so used to it. But everybody'd mind works differently, circles work best for me, and that's what was originally suggested. With me, if I work in lines my eyes tend to drift, they wanna jump down so I just don't do it that way. Anyhow, don't look at the coin as a whole until you get all this completed. Along the way you'll pick up any and all flaws because you're only focusing on tiny little pieces. And so when you look at the coin as a whole, all of this will come back to you collate into the whole. The reason I say this is the easier of the two things is because all you're doing is forming a habit, the habit of always looking at a coin in this specific way. And once you've done it enough times, like all habits, you just do it automatically without ever thinking about. And it's easy to do because every single one of us has a thousand different habits, though not everybody realizes they have all these habits, but we do. Training the eyes, as I said that's a different thing to me because what you're doing is really training your brain - your eyes are just the tools that allow your brain to do everything else. But to train your brain to recognize things when you see them you must first acquire a good bit of knowledge, about many different things. Because if it's something you haven't seen before or don't know what it is then you simply aint gonna see it ! Your eyes'll go right past it not even realizing it's there. And that's what makes this the hard part. There's hundreds of things about coins and you have to know what each and every one looks like, and how they vary, why they vary, even if they can vary - but almost everything can, stress almost. Some things simply can't, don't and won't. It's the acquisition of the knowledge that is the real training - not the training if the eyes. Your eyes'll see it automatically, once you know what it is you're looking at - what your eyes are seeing. Once your eyes/brain are/is trained you'll be see things at a glance that you never saw before. This is why people who really know how to grade can grade a coin, accurately and correctly, in 5 or 6 seconds while the average person is gonna spend minutes maybe tens of minutes, grading a coin. And because they can't do it in mere seconds, and they believe they do know how to grade a coin, they doubt the ability of somebody else to do it.
I look at the coin and if it gives me goosebumps it's a coin I want. I walk away and look at it again a short time later. If I'm at a show I holditin my hand and look at other coins the dealer has but I don't ask to see them. I'll talk with the dealer, anything to get my mind off of the coin I'm holding. If I hand it back to him someone else might buy it. That's why I hold it. After I've refocused myself them I'll look at the coin again. Not saying it'll work for you but it works for me.
Thanks for the detailed procedure. One question for you. As you've gotten older have you found it more difficult to see things during your evaluation? I see the eyes as the tool and brain as the computer doing the image processing. If the tool degrades, so does the resolution of the image being processed.
Maybe you ought to watch Mike Mezack a little more than you have. Here's a guy who hawks MS70 & PR70 ASEs for 199.95 plus shipping—this coin (bullion if you must), the Walker after which it was designed and the gorgeous SLQ are three of my four favorite USA coins. Some months ago I posted the seller's photos of a raw, ungraded 1924 SLQ before the coin actually arrived. There was a cadre of self-appointed critics who said the coin had been washed, or dipped; some even said it had been whizzed, but a very few, @Randy Abercrombie among them, gave it the like accolade the coin really deserves. It's a far better looking coin than an absolutely beautiful 1920 that had been graded AU58 by PCGS, that I got from a seller in WV for $23. It doesn't have quite the luster of the '20 when examined side-by-side, but if you squint your eyes enough and place the two coins under a very powerful light, it IS possible to see why the seller was willing to let me have it for $23, it just doesn't approach perfection quite as easily that which was the subject of such scorn here. I really wish that I had been able to buy that '24 for as little as the '20, but such is life. Neither of these SLQs come close to the ones with asking prices in the five figures, but gosh are they beautiful...the most beautiful SLQs I've ever held in my hands. I own thousands of ASEs, but none of them have been certified by any of the TPGs. I have to admit that when I compare one of the many I own to what Mezak wants to sell you for $200, I have to ask myself, "What is going on here?" Most of the CT members look down their noses at the ASE as a coin, anyway so it isn't likely that they'll see the connection I'm trying to draw. Some astute CT member said in a thread some time ago that he didn't know if he could tell the difference between an MS68 and an MS70; I think he even mused over the value of one against the other as being so small that the MS70 buyer might even be wasting a little money. Flaws are there regardless, and holding handfuls of beach sand in each hand can open different worlds you never knew were there.
I will focus in on a few areas, without looking at the whole. For SLQs, I focus on the head, the breast/chest, the leg and shield. The reverse at the eagle's breast, wings, then the field. That way I see the little details that tell me if it's unc, whether it is fully struck, and if ticks are hidden in the details. Like they say, how do you eat an elephant? One bite at a time.
I appreciate that. And I’ll tell you. I try very hard to avoid being negatively critical of a fellow collectors prize coin. If I was critical of one you posted I do wish to offer my apologies.
I really want to say something here, but it's against the rules, and a joke can be insulting even unintentionally. So I won't say it.
I am fortunate enough to be looking at hundreds of coins a day valued anywhere from a cent to $1,000,000+ and I will say that if the goal is to study a coin for potential purchase then dissecting it as GDJMSP suggested is really the best course. Few coins really "wow" me anymore, but for those that do, I make sure to take a step back and reevaluate slooowly. If it's a coin I personally want, then often I solicit a second opinion from my numismatist friends to ensure I'm not adding points where I shouldn't. I work with some of the best numismatists and graders and I can assure you, no one catches everything. That said, the best people in the business train their eyes by really studying thousands of coins in any given series and understanding how coins are being graded at any given moment. Specialists will understand the striking characteristics of any given year so as to know what to expect and even further, know the striking characteristics of specific varieties.
One part of this two-part question would take too much time to write but I'll do a column after some short observations here. First, emotions should have NOTHING TO DO with coin grading. When they do, beat up coins with extra ordinary color can get graded two or more grades than that deserve and sell for millions of dollars. This post contains some excellent advice although I don't do it except in the course of rotating it: messydesk, posted: "Simplistic answer is to do whatever it normally takes for you to set aside emotions from any decision making process. If you look at enough really nice coins, then you can desensitize yourself to the emotional triggers of looking at them. The downside of that is that the emotional triggers are something that we enjoy in this hobby. Another trick to looking more objectively is to look at the coin upside-down when grading, right side up when admiring. That might give visual cues to your brain that will help." "Islander80-83, posted: "Fortunately or unfortunately, we all can see the same exact thing, hear the same exact thing or read the same exact thing and walk away with multiple opinions. Yes, bias and subjectivity is a major factor. So I guess.............that's why this forum exists." While I don't think subjectivity is a good thing about grading, when there is something on a coin, 99.9% of the time it is a certain characteristic and every comment that does not agree is incorrect! So you either see it and know what you are looking at. See it and think you know, See it and don't have a clue what you are looking at or don't see it at all. The goal of all of us should be the first possibility; however, as long as you see it, you can be helped/learn. Read this twice: TypeCoin971793, posted: "What I do is follow a process. Note that none of these steps are “admire the coin.” That way I can hold a 5-7 digit coin without partiality (which I have done several times). 1. Observe the luster. Is it all there? Is it broken? If so, how much is left? Is it natural luster? Is it disturbed by hairlines or other issues? Is it bold and brilliant? Is it soft or subdued? 2. Observe surface preservation. Rotate it under a light and catch all post-striking marks. The include bagmarks, hairlines, scratches, etc. 3. If the luster is broken from wear, observe the amount of detail/luster left and the strike characteristics to arrive at an appropriate grade. If there is no trace of luster left due to wear, to max it can grade is 45. Step 1 should take 1-3 seconds on each side. Step 2/3 should take a total of 2-5 seconds on each side. There’s no time to get caught up in the coin. Once this is done, you have your objective judgment and can admire the coin all you want. This works as well." Fortunately, I never worked at a TPGS sweat mill. I have ALWAYS had the luxury of being able to take as much time as I wish to examine any coin at each of the places I've worked. trogdor, posted: "I am fortunate enough to be looking at hundreds of coins a day valued anywhere from a cent to $1,000,000+ and I will say that if the goal is to study a coin for potential purchase then dissecting it as GDJMSP suggested is really the best course. Few coins really "wow" me anymore, but for those that do, I make sure to take a step back and reevaluate slooowly. If it's a coin I personally want, then often I solicit a second opinion from my numismatist friends to ensure I'm not adding points where I shouldn't. I work with some of the best numismatists and graders and I can assure you, no one catches everything. That said, the best people in the business train their eyes by really studying thousands of coins in any given series and understanding how coins are being graded at any given moment. Specialists will understand the striking characteristics of any given year so as to know what to expect and even further, know the striking characteristics of specific varieties." This poster explains the importance of EXPERIENCE. It would be helpful to know who he is and where he works as he could add lots of "inside" info as this.
I can eventually see this whole bias and subjective grading thing being eliminated and solved by computer grading.