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<p>[QUOTE="+VGO.DVCKS, post: 5140909, member: 110504"]Brilliant, [USER=16565]@seth[/USER] 77. Calls for another one, from a c. 1967 Telefunken LP I only could access from the public library across the bridge.</p><p>[MEDIA=youtube]PvdoE6hn3-4[/MEDIA]</p><p>Regarding Thibaut's connection to the south, he was happy to spend most of his time in Navarre, as soon as he got the chance. (Evocative of how his contemporary, Friedrich /Federico II, preferred his maternal, Sicilian heritage to all those variously boring and scary Teutons.) This is another later-13th-c. ms., where he's happy, however posthumously, to show off the arms of Navarre instead of the the two bends of Champagne.</p><p><img src="https://upload.wikimedia.org/wikipedia/commons/4/4a/Theobald_I_of_Navarre_2.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p>...Wish you could stop me. Since you can't, one cool thing about the northwest corner of 'Frankish' Iberia (conspicuously including Aragon) is its effectively seamless connection to Occitanian language and culture. Which, just through the 12th century, travelled south, and north to Poitou, in northern Aquitaine, and east to Savoy and Lombardy.</p><p>...My favorite part of Bingley's reading is the introductory instrumental, on something called (from memory, back to the LP) a 'gitara saracena' --Nope, lutes and ouds (like what he's posing with in the picture) are bigger than this, and more alike. But I always leaned toward seeing the element of Muslim musical influence on this distinctly secular European literature along the lines of the early mainstreaming of rock 'n' roll. ...There's this, from the <i>Book of Games</i> of Alfonso IX of Castile and Leon (...also later 13th-century than one could wish).</p><p>[ATTACH=full]1206206[/ATTACH]</p><p>...Back to drinking songs, there's this, which, while blatantly revisionistic relative to the present context, manages a vaguely similar combination of cultural dynamics. [MEDIA=youtube]yl-qNKQWK34[/MEDIA][/QUOTE]</p><p><br /></p>
[QUOTE="+VGO.DVCKS, post: 5140909, member: 110504"]Brilliant, [USER=16565]@seth[/USER] 77. Calls for another one, from a c. 1967 Telefunken LP I only could access from the public library across the bridge. [MEDIA=youtube]PvdoE6hn3-4[/MEDIA] Regarding Thibaut's connection to the south, he was happy to spend most of his time in Navarre, as soon as he got the chance. (Evocative of how his contemporary, Friedrich /Federico II, preferred his maternal, Sicilian heritage to all those variously boring and scary Teutons.) This is another later-13th-c. ms., where he's happy, however posthumously, to show off the arms of Navarre instead of the the two bends of Champagne. [IMG]https://upload.wikimedia.org/wikipedia/commons/4/4a/Theobald_I_of_Navarre_2.jpg[/IMG] ...Wish you could stop me. Since you can't, one cool thing about the northwest corner of 'Frankish' Iberia (conspicuously including Aragon) is its effectively seamless connection to Occitanian language and culture. Which, just through the 12th century, travelled south, and north to Poitou, in northern Aquitaine, and east to Savoy and Lombardy. ...My favorite part of Bingley's reading is the introductory instrumental, on something called (from memory, back to the LP) a 'gitara saracena' --Nope, lutes and ouds (like what he's posing with in the picture) are bigger than this, and more alike. But I always leaned toward seeing the element of Muslim musical influence on this distinctly secular European literature along the lines of the early mainstreaming of rock 'n' roll. ...There's this, from the [I]Book of Games[/I] of Alfonso IX of Castile and Leon (...also later 13th-century than one could wish). [ATTACH=full]1206206[/ATTACH] ...Back to drinking songs, there's this, which, while blatantly revisionistic relative to the present context, manages a vaguely similar combination of cultural dynamics. [MEDIA=youtube]yl-qNKQWK34[/MEDIA][/QUOTE]
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