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<p>[QUOTE="TIF, post: 1976955, member: 56859"]I don't have a Theodosius worth posting but I do have this photo of a painting of him, taken at the Art Institute of Chicago earlier this month <img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie1" alt=":)" unselectable="on" unselectable="on" /></p><p><br /></p><p>[ATTACH=full]351901[/ATTACH]</p><p><br /></p><p><b>Alessandro Magnasco</b></p><p>Italian, 1667-1749</p><p><br /></p><p><i>Theodosius Repulsed from the Church by Saint Ambrose</i></p><p>1700/10</p><p>Oil on canvas</p><p><br /></p><p>"In 390 Ambrose, the archbishop of Milan, refused to give communion to Emperor Theodosius (r. 379-95) until he made public penance for the massacre of thousands of innocents after an insurrection. Theodosius, the last emperor to command the entire Roman state, eventually submitted to the archbishop's greater moral authority. This painting typifies Alessandro Magnasco's fluid, highly charged mature manner. In keeping with the artistic traditions of his native Genoa, Magnasco dissolved the figures into ghostly forms. For the elaborate background edifice, which is intended to represent the atrium of an early Christian church, he employed an unidentified architectural painting specialist."</p><p><br /></p><p>Normally, when visiting an art museum I make a beeline for the modern wing. This time I was caught up in the classical sections, seeking out anything coin-related. Yeah, I've got it bad...[/QUOTE]</p><p><br /></p>
[QUOTE="TIF, post: 1976955, member: 56859"]I don't have a Theodosius worth posting but I do have this photo of a painting of him, taken at the Art Institute of Chicago earlier this month :) [ATTACH=full]351901[/ATTACH] [B]Alessandro Magnasco[/B] Italian, 1667-1749 [I]Theodosius Repulsed from the Church by Saint Ambrose[/I] 1700/10 Oil on canvas "In 390 Ambrose, the archbishop of Milan, refused to give communion to Emperor Theodosius (r. 379-95) until he made public penance for the massacre of thousands of innocents after an insurrection. Theodosius, the last emperor to command the entire Roman state, eventually submitted to the archbishop's greater moral authority. This painting typifies Alessandro Magnasco's fluid, highly charged mature manner. In keeping with the artistic traditions of his native Genoa, Magnasco dissolved the figures into ghostly forms. For the elaborate background edifice, which is intended to represent the atrium of an early Christian church, he employed an unidentified architectural painting specialist." Normally, when visiting an art museum I make a beeline for the modern wing. This time I was caught up in the classical sections, seeking out anything coin-related. Yeah, I've got it bad...[/QUOTE]
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