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<p>[QUOTE="Gavin Richardson, post: 8297687, member: 83956"]I enjoy teaching this myth in my world literature courses. I always show this fine Khan Academy video on the Bernini sculpture:</p><p><br /></p><p><a href="https://www.khanacademy.org/humanities/renaissance-reformation/baroque-art1/baroque-italy/v/bernini-apollo-and-daphne-1622-25" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://www.khanacademy.org/humanities/renaissance-reformation/baroque-art1/baroque-italy/v/bernini-apollo-and-daphne-1622-25" rel="nofollow">https://www.khanacademy.org/humanities/renaissance-reformation/baroque-art1/baroque-italy/v/bernini-apollo-and-daphne-1622-25</a></p><p><br /></p><p>If you've never been to the Borghese Gallery in Rome, try to make it. Since the Gallery limits the number of guests and restricts a particular time, it never feels overcrowded the way other Roman sites are. And if you can out-wait other tourists, you may have some works all to yourself towards the end of your allotted time.</p><p><br /></p><p>Students become quite engaged in considering what this myth says--and continues to say--about power, assault, privilege, and consent:</p><p><br /></p><p><i> factis modo laurea ramis / adnuit utque caput <span style="color: #ff0000">visa est</span> agitasse cacumen</i></p><p><i><br /></i></p><p><i>•Ramus; branch</i></p><p><i>•Adnuo: assent, approve, confirm by a nod.</i></p><p><i>•Cacumen: summit; top.</i></p><p><i>•Visa est “is seen/seems.”</i></p><p><i>•Ago: to move; to set in motion.</i></p><p><i><br /></i></p><p><i>"In this way [modo] with branches having been made [ramis factis], the laurel confirms with a nod and the summit <span style="color: #ff0000">seems </span>to have moved..."</i></p><p><i><br /></i></p><p>Who is interpreting Daphne's actions here? Apollo? Ovid? Is Daphne acquiescing to her transformation to escape sexual assault, or is that how Apollo chooses to interpret the laurel tree's movement? So much depends upon how <i>visa est</i> is translated. Is Daphne's metamorphosis a consolation...or a tragedy?[/QUOTE]</p><p><br /></p>
[QUOTE="Gavin Richardson, post: 8297687, member: 83956"]I enjoy teaching this myth in my world literature courses. I always show this fine Khan Academy video on the Bernini sculpture: [URL]https://www.khanacademy.org/humanities/renaissance-reformation/baroque-art1/baroque-italy/v/bernini-apollo-and-daphne-1622-25[/URL] If you've never been to the Borghese Gallery in Rome, try to make it. Since the Gallery limits the number of guests and restricts a particular time, it never feels overcrowded the way other Roman sites are. And if you can out-wait other tourists, you may have some works all to yourself towards the end of your allotted time. Students become quite engaged in considering what this myth says--and continues to say--about power, assault, privilege, and consent: [I] factis modo laurea ramis / adnuit utque caput [COLOR=#ff0000]visa est[/COLOR] agitasse cacumen •Ramus; branch •Adnuo: assent, approve, confirm by a nod. •Cacumen: summit; top. •Visa est “is seen/seems.” •Ago: to move; to set in motion. "In this way [modo] with branches having been made [ramis factis], the laurel confirms with a nod and the summit [COLOR=#ff0000]seems [/COLOR]to have moved..." [/I] Who is interpreting Daphne's actions here? Apollo? Ovid? Is Daphne acquiescing to her transformation to escape sexual assault, or is that how Apollo chooses to interpret the laurel tree's movement? So much depends upon how [I]visa est[/I] is translated. Is Daphne's metamorphosis a consolation...or a tragedy?[/QUOTE]
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