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<p>[QUOTE="AncientJoe, post: 1892568, member: 44357"]I've posted this coin before, and was hoping to acquire its larger brother at a recent auction but unfortunately was significantly outbid. However, the writeup added some helpful historical context (and I recently took much better pictures of it) so I thought everyone might be interested in it here:</p><p><br /></p><p>"The coinage of Akragas consistently depicted the crab and eagle since its earliest issue of the sixth century BC, and the best engravers were recruited to render these symbols of the city in the finest possible style. Late in the fifth century the coinage of the city underwent a remarkable transformation; like many of the cities of Sicily such as Messana and Syracuse, a renaissance began that saw numismatic art reach new heights of intricacy and magnificence. The traditional types were transformed, and the metamorphosis could not have been more pronounced - the previously static types are replaced by dynamic scenes full of activity and energy.</p><p><br /></p><p>This particular design of the two eagles may have been inspired by the omen received by Agamemnon and Menelaos in Aeschylos' Agamemnon, where two eagles, representing the two kings, devoured a pregnant hare, an allusion to the forthcoming destruction of city of Troy. Such was the fate of Troy, and also of Akragas which was sacked and razed by the Carthaginians in 406 BC. Thus was this brief flourishing of vibrant art in Akragas brutally put to a premature end."</p><p><br /></p><p>I'll quote another auction house for a description about this coin in particular:</p><p><br /></p><p>"This splendid coin is truly one of the finest of all known fractions from Sicily. The engraving is meticulously detailed, the animals lifelike in every way, and the composition is a triumph of coin design. When compared with other contemporary issues from Akragas, such as the famous Skylla tetradrachm (as Basel 258 and Kraay/Hirmer 175) and that with the fly symbol (Kraay/Hirmer 177), there can be no doubt that the same master engraver was involved. It seems likely that this obol must have been a special issue; apparently all the known examples of the type come from the same die pair and it was, obviously, not designed for mass circulation. In any event, the beauty of this tiny coin is yet another piece of evidence to show how fanatically proud the Sicilians were of their coinages and how far they would go to obtain the very finest artists of the day to make them."</p><p><br /></p><p><img src="http://i1028.photobucket.com/albums/y342/AncientJoe/GradientAkragas_zps19a81336.jpg~original" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p><i>Obol (Silver, 0.79 g 1), c. 410-406 BC. Two eagles standing right on dead hare, the one in front with closed wings and its head thrown back screaming in triumph, the one behind with wings open and head turned down, tearing at its prey with its beak. Rev. Crab with between its claws; below, grouper (polyprium cernium) swimming to right. Basel 263 = SNG Lockett 519 (same dies). Rizzo pl. III, 6 (same dies). SNG Lloyd 829 (same dies). Very rare. Beautifully toned, a superb coin of the finest style. Extremely fine.</i></p><p><i><br /></i></p><p>To help show just how small this coin is, here it is next to a US cent:</p><p><br /></p><p><img src="http://i1028.photobucket.com/albums/y342/AncientJoe/IMG_6074_zpsc5af0b07.jpg~original" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p><img src="http://i1028.photobucket.com/albums/y342/AncientJoe/IMG_6082_zpsf16b33f1.jpg~original" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>Suffice to say, engravers in the ancient world were quite impressive![/QUOTE]</p><p><br /></p>
[QUOTE="AncientJoe, post: 1892568, member: 44357"]I've posted this coin before, and was hoping to acquire its larger brother at a recent auction but unfortunately was significantly outbid. However, the writeup added some helpful historical context (and I recently took much better pictures of it) so I thought everyone might be interested in it here: "The coinage of Akragas consistently depicted the crab and eagle since its earliest issue of the sixth century BC, and the best engravers were recruited to render these symbols of the city in the finest possible style. Late in the fifth century the coinage of the city underwent a remarkable transformation; like many of the cities of Sicily such as Messana and Syracuse, a renaissance began that saw numismatic art reach new heights of intricacy and magnificence. The traditional types were transformed, and the metamorphosis could not have been more pronounced - the previously static types are replaced by dynamic scenes full of activity and energy. This particular design of the two eagles may have been inspired by the omen received by Agamemnon and Menelaos in Aeschylos' Agamemnon, where two eagles, representing the two kings, devoured a pregnant hare, an allusion to the forthcoming destruction of city of Troy. Such was the fate of Troy, and also of Akragas which was sacked and razed by the Carthaginians in 406 BC. Thus was this brief flourishing of vibrant art in Akragas brutally put to a premature end." I'll quote another auction house for a description about this coin in particular: "This splendid coin is truly one of the finest of all known fractions from Sicily. The engraving is meticulously detailed, the animals lifelike in every way, and the composition is a triumph of coin design. When compared with other contemporary issues from Akragas, such as the famous Skylla tetradrachm (as Basel 258 and Kraay/Hirmer 175) and that with the fly symbol (Kraay/Hirmer 177), there can be no doubt that the same master engraver was involved. It seems likely that this obol must have been a special issue; apparently all the known examples of the type come from the same die pair and it was, obviously, not designed for mass circulation. In any event, the beauty of this tiny coin is yet another piece of evidence to show how fanatically proud the Sicilians were of their coinages and how far they would go to obtain the very finest artists of the day to make them." [IMG]http://i1028.photobucket.com/albums/y342/AncientJoe/GradientAkragas_zps19a81336.jpg~original[/IMG] [I]Obol (Silver, 0.79 g 1), c. 410-406 BC. Two eagles standing right on dead hare, the one in front with closed wings and its head thrown back screaming in triumph, the one behind with wings open and head turned down, tearing at its prey with its beak. Rev. Crab with between its claws; below, grouper (polyprium cernium) swimming to right. Basel 263 = SNG Lockett 519 (same dies). Rizzo pl. III, 6 (same dies). SNG Lloyd 829 (same dies). Very rare. Beautifully toned, a superb coin of the finest style. Extremely fine. [/I] To help show just how small this coin is, here it is next to a US cent: [IMG]http://i1028.photobucket.com/albums/y342/AncientJoe/IMG_6074_zpsc5af0b07.jpg~original[/IMG] [IMG]http://i1028.photobucket.com/albums/y342/AncientJoe/IMG_6082_zpsf16b33f1.jpg~original[/IMG] Suffice to say, engravers in the ancient world were quite impressive![/QUOTE]
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