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<p>[QUOTE="Trebellianus, post: 3120746, member: 91569"]Recently acquired from the good people at Forvm:</p><p><br /></p><p>[ATTACH=full]793994[/ATTACH] </p><p><font size="3"><b>Trajan</b>, 103-111AD: O: laureate head right, drapery on far shoulder, IMP CAES NERVAE TRAIANO AVG GER DAC P M TR P COS V P P / R: Annona standing left holding wheat and cornucopia, modius to left, garlanded prow of ship to right, SPQR OPTIMO PRINCIPI, S-C between.</font></p><p><br /></p><p>A sestertius which preserves something like its original radiance has been high up on my want-list for a long time, and so I'm consequently very pleased to be the owner of the specimen up here. This bears the mythical "river patina" (rather a misnomer, as noted elsewhere) — the porous, slightly blotchy surfaces are the toll paid for the coin not having darkened much. </p><p><br /></p><p>We have, on the obverse, the <i>optimus princeps</i>: the portrait is finely executed, with the thick neck and slightly flat, elongated head typical of this emperor. On the reverse, an uncharacteristically pacific type, symbolical of the emperor's generosity in providing the grain-dole. We see the figure of Annona with cornucopia in one hand and ears of wheat in the other (both objects saying, essentially, the same thing); at her feet, a <i>modius</i> overflowing with yet more wheat, and behind her is the prow of a ship, resonant of the transport of grain from Africa to Rome. The die-cutter was presumably hung over when he placed the "S" of the S C. </p><p><br /></p><p>Not an item of any conspicuous artistic interest or historical revelation, but it is <i>very</i> shiny. By way of further illustration:</p><p><br /></p><p>[ATTACH=full]794001[/ATTACH] </p><p><br /></p><p>So there we go: please feel free to post your relatively undisturbed bronzes, Trajans, or whatever else occurs. </p><p><br /></p><p>(As an aside, I've seen the ship part described, variously, as a prow and a stern: can anybody with greater knowledge of classical nautical anatomy than I weigh in?)[/QUOTE]</p><p><br /></p>
[QUOTE="Trebellianus, post: 3120746, member: 91569"]Recently acquired from the good people at Forvm: [ATTACH=full]793994[/ATTACH] [SIZE=3][B]Trajan[/B], 103-111AD: O: laureate head right, drapery on far shoulder, IMP CAES NERVAE TRAIANO AVG GER DAC P M TR P COS V P P / R: Annona standing left holding wheat and cornucopia, modius to left, garlanded prow of ship to right, SPQR OPTIMO PRINCIPI, S-C between.[/SIZE] A sestertius which preserves something like its original radiance has been high up on my want-list for a long time, and so I'm consequently very pleased to be the owner of the specimen up here. This bears the mythical "river patina" (rather a misnomer, as noted elsewhere) — the porous, slightly blotchy surfaces are the toll paid for the coin not having darkened much. We have, on the obverse, the [I]optimus princeps[/I]: the portrait is finely executed, with the thick neck and slightly flat, elongated head typical of this emperor. On the reverse, an uncharacteristically pacific type, symbolical of the emperor's generosity in providing the grain-dole. We see the figure of Annona with cornucopia in one hand and ears of wheat in the other (both objects saying, essentially, the same thing); at her feet, a [I]modius[/I] overflowing with yet more wheat, and behind her is the prow of a ship, resonant of the transport of grain from Africa to Rome. The die-cutter was presumably hung over when he placed the "S" of the S C. Not an item of any conspicuous artistic interest or historical revelation, but it is [I]very[/I] shiny. By way of further illustration: [ATTACH=full]794001[/ATTACH] So there we go: please feel free to post your relatively undisturbed bronzes, Trajans, or whatever else occurs. (As an aside, I've seen the ship part described, variously, as a prow and a stern: can anybody with greater knowledge of classical nautical anatomy than I weigh in?)[/QUOTE]
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