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<p>[QUOTE="dougsmit, post: 2690573, member: 19463"]I know most have heard all they want of my opinions on coin photos but the whole concept of a coin photo looking like the coin 'in hand' is totally bogus. If a coin looks dark and hard to see 'in hand' move that hand to a place with better light. To me, the worst problems with coin images are when they have large areas of either or both absolute white or absolute black. Worst is probably when there are large areas of both (start contrast). Continuous tone images need as many steps from one tone to the next as they can to look smooth. When images have no highlights, they lack sparkle. I tend toward this fault making grey coins look like plaster casts. 'In hand' and well illuminated, dark or shiny bright coins still have quite a number of tones. I guess, in the end, we each have our opinions as to what makes a good photo or good lighting just as we do what makes a good coin worth photographing.</p><p><br /></p><p><br /></p><p>Yes![/QUOTE]</p><p><br /></p>
[QUOTE="dougsmit, post: 2690573, member: 19463"]I know most have heard all they want of my opinions on coin photos but the whole concept of a coin photo looking like the coin 'in hand' is totally bogus. If a coin looks dark and hard to see 'in hand' move that hand to a place with better light. To me, the worst problems with coin images are when they have large areas of either or both absolute white or absolute black. Worst is probably when there are large areas of both (start contrast). Continuous tone images need as many steps from one tone to the next as they can to look smooth. When images have no highlights, they lack sparkle. I tend toward this fault making grey coins look like plaster casts. 'In hand' and well illuminated, dark or shiny bright coins still have quite a number of tones. I guess, in the end, we each have our opinions as to what makes a good photo or good lighting just as we do what makes a good coin worth photographing. Yes![/QUOTE]
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