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<p>[QUOTE="ycon, post: 7914190, member: 91771"]Arrived today: </p><p><br /></p><p>[ATTACH=full]1366997[/ATTACH] </p><p>Venice, Lira Nicolo Tron undated (1471-1473) Obverse: Bust of Doge left TRONVS. DVX. NICOLAVS, Reverse: Lion within inner circle MARCVS SANCTVS, 6.45 grammes, Biaggi#2901, Paolucci 2</p><p><br /></p><p>The Lira Tron is a very significant Renaissance coin for several reasons: It represents the first use of the Lira--money of account since the monetary reforms of Charlemagne--as an actual minted and circulating denomination. </p><p><br /></p><p>Secondly, it is the first and only portrait of a doge in the whole of venetian coinage (excepting one other trial proof for Tron's successor-- and Tron's own ae coinage). There was an uproar that the coin was two imperial and the deeply republican Venetians banned all Doges from having their likeness on money, following Tron's death. </p><p><br /></p><p>Finally, the coin represents one of the first realistic portraits on a coin during the renaissance--following the ducat of Francesco Sforza, but predating and prefiguring by two years the testone of Gian Galeazzo Sforza. </p><p><br /></p><p>The name of the engraver is known: Antonio della Moneta, or Anthony of the mint.[/QUOTE]</p><p><br /></p>
[QUOTE="ycon, post: 7914190, member: 91771"]Arrived today: [ATTACH=full]1366997[/ATTACH] Venice, Lira Nicolo Tron undated (1471-1473) Obverse: Bust of Doge left TRONVS. DVX. NICOLAVS, Reverse: Lion within inner circle MARCVS SANCTVS, 6.45 grammes, Biaggi#2901, Paolucci 2 The Lira Tron is a very significant Renaissance coin for several reasons: It represents the first use of the Lira--money of account since the monetary reforms of Charlemagne--as an actual minted and circulating denomination. Secondly, it is the first and only portrait of a doge in the whole of venetian coinage (excepting one other trial proof for Tron's successor-- and Tron's own ae coinage). There was an uproar that the coin was two imperial and the deeply republican Venetians banned all Doges from having their likeness on money, following Tron's death. Finally, the coin represents one of the first realistic portraits on a coin during the renaissance--following the ducat of Francesco Sforza, but predating and prefiguring by two years the testone of Gian Galeazzo Sforza. The name of the engraver is known: Antonio della Moneta, or Anthony of the mint.[/QUOTE]
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