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<p>[QUOTE="krispy, post: 1724294, member: 19065"]Correct, white isn't neutral at all, it's the prescence of all colors, and black is the opposite, devoid of all color, making a point between them, neutral. 50% neural gray papers sold in large sheets or more rigid mat board (used in framing pictures), can be picked up from an art supply shop or framing shop. Put this behind your coin and give it a try if you like. </p><p><br /></p><p> White can be quite challenging to shoot some subjects against, particularly light colored metals. White surfaces are very reflective and bounce light all around when surrounding a subject being photographed. The same is true of a single color influencing the color in a shot. It's not impossible nor discouraged to shoot coins against while backgrounds, but it might not be right for what you want out of your shots sometimes. </p><p><br /></p><p>It all just takes a lot of fiddling and trials, but eventually you'll find what you are most happy working with and I think you've become aware from your trails that we don't just look at the subject matter (the coin or it's toning) but we have to see the qualities of the light and what its role is in representing the subject in a shot.[/QUOTE]</p><p><br /></p>
[QUOTE="krispy, post: 1724294, member: 19065"]Correct, white isn't neutral at all, it's the prescence of all colors, and black is the opposite, devoid of all color, making a point between them, neutral. 50% neural gray papers sold in large sheets or more rigid mat board (used in framing pictures), can be picked up from an art supply shop or framing shop. Put this behind your coin and give it a try if you like. White can be quite challenging to shoot some subjects against, particularly light colored metals. White surfaces are very reflective and bounce light all around when surrounding a subject being photographed. The same is true of a single color influencing the color in a shot. It's not impossible nor discouraged to shoot coins against while backgrounds, but it might not be right for what you want out of your shots sometimes. It all just takes a lot of fiddling and trials, but eventually you'll find what you are most happy working with and I think you've become aware from your trails that we don't just look at the subject matter (the coin or it's toning) but we have to see the qualities of the light and what its role is in representing the subject in a shot.[/QUOTE]
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