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<p>[QUOTE="Ignoramus Maximus, post: 8124035, member: 104741"]Times must be hard when an accomplished photographer and collector asks for suggestions for close-up coin photography.<img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie1" alt=":)" unselectable="on" unselectable="on" /> </p><p>If I had a macro set-up I'd try two things. Chances are you've already tried them, but I'll suggest them anyway.</p><p><br /></p><p>Flow lines, especially in and around legends. That could give some fascinating pics.</p><p>And: capture details of the slightly recessed parts around elevated parts (bust or portrait) of a coin, caused by the silver being 'sucked' by the strike into the elevated section. They often look like an ever so thin, recessed shadow tracing the elevated part. (If there is a numismatic term for it, I don't know it. I hope you get what I mean).</p><p><br /></p><p>And those are some great pics. Thanks for showing. The colors of the Athenian tet are captivating. Is the ribbed pattern at the bottom of the test-cut the imprint of the chisel used?[/QUOTE]</p><p><br /></p>
[QUOTE="Ignoramus Maximus, post: 8124035, member: 104741"]Times must be hard when an accomplished photographer and collector asks for suggestions for close-up coin photography.:) If I had a macro set-up I'd try two things. Chances are you've already tried them, but I'll suggest them anyway. Flow lines, especially in and around legends. That could give some fascinating pics. And: capture details of the slightly recessed parts around elevated parts (bust or portrait) of a coin, caused by the silver being 'sucked' by the strike into the elevated section. They often look like an ever so thin, recessed shadow tracing the elevated part. (If there is a numismatic term for it, I don't know it. I hope you get what I mean). And those are some great pics. Thanks for showing. The colors of the Athenian tet are captivating. Is the ribbed pattern at the bottom of the test-cut the imprint of the chisel used?[/QUOTE]
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