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<p>[QUOTE="kaparthy, post: 657308, member: 57463"]<b>Oblique comments on Cnut</b></p><p><br /></p><p>It is not my area, either, although I will have an article out soon on medievals. It was a restricted topic and took a couple of years to write. Myself, for this, I would have to rotate the coin and toggle it in the lighting to see and read all the letters. </p><p><br /></p><p>There is a handy booklet, <i>Reading Medieval European Coins</i> by Ralph S. Walker. Alan Berman gives one out free with each new order of nine generic medievals for $111 ($108+SH), and sells the book for $9.50. See his website <a href="http://www.bermania.com/" target="_blank" class="externalLink ProxyLink" data-proxy-href="http://www.bermania.com/" rel="nofollow">www.bermania.com</a> He runs that deal in the pages of <i>The Celator</i>, but it is not on his website. I took advantage of it when I started collecting. I kept a few for myself, gave or sold the rest and, of course, still have the book.</p><p><br /></p><p>All of that is to say, your [a] picture is the reverse, of course and it is 180 off. I think that if you put the little cross at 12 o'clock, the legend reads easier. </p><p><br /></p><p>Also, if you view the obverse (heads) side obliquely, you might see the king become more natural and less like a frightened skeleton. With many Celtic coins, even into the Middle Ages, that was the case: viewing the coin more edge-on was the cutter's intent. We learned to see things front-on from Renaissance perspective techniques in painting. (Read <a href="http://traumwerk.stanford.edu:3455/SeeingThePast/324" target="_blank" class="externalLink ProxyLink" data-proxy-href="http://traumwerk.stanford.edu:3455/SeeingThePast/324" rel="nofollow">this article </a>by museum curator Geraldine Chimirri-Russell. If you don't like the teeny tiny letters, scroll down and look at the last two coins: <b>One picture is worth 1000 words.</b>)[/QUOTE]</p><p><br /></p>
[QUOTE="kaparthy, post: 657308, member: 57463"][b]Oblique comments on Cnut[/b] It is not my area, either, although I will have an article out soon on medievals. It was a restricted topic and took a couple of years to write. Myself, for this, I would have to rotate the coin and toggle it in the lighting to see and read all the letters. There is a handy booklet, [I]Reading Medieval European Coins[/I] by Ralph S. Walker. Alan Berman gives one out free with each new order of nine generic medievals for $111 ($108+SH), and sells the book for $9.50. See his website [URL="http://www.bermania.com/"]www.bermania.com[/URL] He runs that deal in the pages of [I]The Celator[/I], but it is not on his website. I took advantage of it when I started collecting. I kept a few for myself, gave or sold the rest and, of course, still have the book. All of that is to say, your [a] picture is the reverse, of course and it is 180 off. I think that if you put the little cross at 12 o'clock, the legend reads easier. Also, if you view the obverse (heads) side obliquely, you might see the king become more natural and less like a frightened skeleton. With many Celtic coins, even into the Middle Ages, that was the case: viewing the coin more edge-on was the cutter's intent. We learned to see things front-on from Renaissance perspective techniques in painting. (Read [URL="http://traumwerk.stanford.edu:3455/SeeingThePast/324"]this article [/URL]by museum curator Geraldine Chimirri-Russell. If you don't like the teeny tiny letters, scroll down and look at the last two coins: [B]One picture is worth 1000 words.[/B])[/QUOTE]
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need help with this 9th century? coin
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