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<p>[QUOTE="rmpsrpms, post: 4069969, member: 31773"]I agree, they are a bit dark. The reason is that my recommended settings are to set EV to -2/3. This forces the shutter speed to be a bit faster than its normal setting, thereby avoiding blown highlights. To compensate I recommend setting contrast to -4, which helps keep the shadows from going to black. Together these settings result in good "raw material" (assuming good focus, white balance, and framing alignment) for final post-processing. These look like excellent raw material to me, so I will pick one shot to give an example of the post processing which will recover the original exposure values without blowing any highlights or crushing any shadows. First, I'll show the result of a simple edit in DPPv3, then I'll explain the changes made:</p><p><br /></p><p>[ATTACH=full]1063717[/ATTACH] </p><p>Here are the adjustments I made in DPPv3:</p><p>[ATTACH=full]1063718[/ATTACH] </p><p><br /></p><p>Most of the adjustments were done to the histogram. I selected 3 points on the tone curve, and increased them until the overall brightness of the image was good. Then I manually adjusted the black level a small amount (from 0 to 2) and white level a similar amount (from 255 to 230). I could have pushed black a bit higher, and indeed if I moved it to perhaps 4-6, the background (represented by the big spike near 0 in the histogram) would push to all black. </p><p><br /></p><p>Another of my recommendations is to use "neutral" Picture Style, which de-emphasizes color saturation a bit. I increased saturation from 100 to 130 to compensate. I also recommend shooting with sharpness at 0, so a little sharpening to compensate is needed.[/QUOTE]</p><p><br /></p>
[QUOTE="rmpsrpms, post: 4069969, member: 31773"]I agree, they are a bit dark. The reason is that my recommended settings are to set EV to -2/3. This forces the shutter speed to be a bit faster than its normal setting, thereby avoiding blown highlights. To compensate I recommend setting contrast to -4, which helps keep the shadows from going to black. Together these settings result in good "raw material" (assuming good focus, white balance, and framing alignment) for final post-processing. These look like excellent raw material to me, so I will pick one shot to give an example of the post processing which will recover the original exposure values without blowing any highlights or crushing any shadows. First, I'll show the result of a simple edit in DPPv3, then I'll explain the changes made: [ATTACH=full]1063717[/ATTACH] Here are the adjustments I made in DPPv3: [ATTACH=full]1063718[/ATTACH] Most of the adjustments were done to the histogram. I selected 3 points on the tone curve, and increased them until the overall brightness of the image was good. Then I manually adjusted the black level a small amount (from 0 to 2) and white level a similar amount (from 255 to 230). I could have pushed black a bit higher, and indeed if I moved it to perhaps 4-6, the background (represented by the big spike near 0 in the histogram) would push to all black. Another of my recommendations is to use "neutral" Picture Style, which de-emphasizes color saturation a bit. I increased saturation from 100 to 130 to compensate. I also recommend shooting with sharpness at 0, so a little sharpening to compensate is needed.[/QUOTE]
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