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Isn't Toning Early Stages of Environmental Damage?
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<p>[QUOTE="Endeavor, post: 2212840, member: 60292"]Well environmental damage/toning doesn't have to be a result of being outdoors or outside of a vault. Air molecules and chemicals in air still reach and interact with the surface of a coin. Therefore in my view I don't see a distinction between how or where it was toned.</p><p><br /></p><p>Artifical toning from my perspective is irrelevant cause I see toned as toned regardless of how it got to that. Some do care about how it was toned. I should mention that I don't seek to collect toned coins nor would I pay a premium for them.</p><p><br /></p><p>I prefer coins that are closest to their original luster. I also prefer coins that were struck the way they were designed and intended to be made. In other words I don't like errors or varieties. If I remember correctly, King Farouk of Egypt was of similar mindset to mine. He sought the "purest" examples.[/QUOTE]</p><p><br /></p>
[QUOTE="Endeavor, post: 2212840, member: 60292"]Well environmental damage/toning doesn't have to be a result of being outdoors or outside of a vault. Air molecules and chemicals in air still reach and interact with the surface of a coin. Therefore in my view I don't see a distinction between how or where it was toned. Artifical toning from my perspective is irrelevant cause I see toned as toned regardless of how it got to that. Some do care about how it was toned. I should mention that I don't seek to collect toned coins nor would I pay a premium for them. I prefer coins that are closest to their original luster. I also prefer coins that were struck the way they were designed and intended to be made. In other words I don't like errors or varieties. If I remember correctly, King Farouk of Egypt was of similar mindset to mine. He sought the "purest" examples.[/QUOTE]
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