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Indogreek: Menander, read between the lines.
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<p>[QUOTE="TIF, post: 2079522, member: 56859"]Apparently some did farm out the background work. For instance, this painting of emperor Theodosius (Art Institute of Chicago):</p><p><br /></p><p><img src="https://www.cointalk.com/attachments/theodosiuspainting-jpg.351901/" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /> </p><p><br /></p><p><b>Alessandro Magnasco</b></p><p>Italian, 1667-1749</p><p><br /></p><p><i>Theodosius Repulsed from the Church by Saint Ambrose</i></p><p>1700/10</p><p>Oil on canvas</p><p><br /></p><p>From the plaque:</p><p><br /></p><p>"In 390 Ambrose, the archbishop of Milan, refused to give communion to Emperor Theodosius (r. 379-95) until he made public penance for the massacre of thousands of innocents after an insurrection. Theodosius, the last emperor to command the entire Roman state, eventually submitted to the archbishop's greater moral authority. This painting typifies Alessandro Magnasco's fluid, highly charged mature manner. In keeping with the artistic traditions of his native Genoa, Magnasco dissolved the figures into ghostly forms. <b>For the elaborate background edifice, which is intended to represent the atrium of an early Christian church, he employed an unidentified architectural painting specialist.</b>"[/QUOTE]</p><p><br /></p>
[QUOTE="TIF, post: 2079522, member: 56859"]Apparently some did farm out the background work. For instance, this painting of emperor Theodosius (Art Institute of Chicago): [IMG]https://www.cointalk.com/attachments/theodosiuspainting-jpg.351901/[/IMG] [B]Alessandro Magnasco[/B] Italian, 1667-1749 [I]Theodosius Repulsed from the Church by Saint Ambrose[/I] 1700/10 Oil on canvas From the plaque: "In 390 Ambrose, the archbishop of Milan, refused to give communion to Emperor Theodosius (r. 379-95) until he made public penance for the massacre of thousands of innocents after an insurrection. Theodosius, the last emperor to command the entire Roman state, eventually submitted to the archbishop's greater moral authority. This painting typifies Alessandro Magnasco's fluid, highly charged mature manner. In keeping with the artistic traditions of his native Genoa, Magnasco dissolved the figures into ghostly forms. [B]For the elaborate background edifice, which is intended to represent the atrium of an early Christian church, he employed an unidentified architectural painting specialist.[/B]"[/QUOTE]
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Indogreek: Menander, read between the lines.
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