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If this Morgan toner had straight graded what do you think it would be worth?
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<p>[QUOTE="-jeffB, post: 8664023, member: 27832"]Many people believe there are. There are lots of cases of artificial toning that <i>can</i> be distinguished from natural toning, even by people as clueless as me. But some people believe that <i>all</i> AT can be detected and distinguished from NT. I'm deeply skeptical.</p><p><br /></p><p>Most people believe that a thin layer of silver sulfide deposited intentionally is bad and a thin layer of silver sulfide deposited <i>un</i>intentionally is good, even if the layers are physically and chemically indistinguishable. To support that belief, they have faith that they (or <i>someone</i>) can always tell the two apart.</p><p><br /></p><p>I think it's all very silly. Toning is <i>post-mint damage</i>, whether it's done accidentally over decades or intentionally in seconds. Some of it is quite beautiful, and worthy of collecting. But this religious conviction that "artificial toning" is and always will be inferior to "natural toning" is, well, silly. Atoms are atoms, and molecules are molecules, and we've already got plenty of artificial processes that can lay down thin films more precisely and repeatably than any "natural" process. If people aren't already using them to make toners that "pass", they soon will.[/QUOTE]</p><p><br /></p>
[QUOTE="-jeffB, post: 8664023, member: 27832"]Many people believe there are. There are lots of cases of artificial toning that [I]can[/I] be distinguished from natural toning, even by people as clueless as me. But some people believe that [I]all[/I] AT can be detected and distinguished from NT. I'm deeply skeptical. Most people believe that a thin layer of silver sulfide deposited intentionally is bad and a thin layer of silver sulfide deposited [I]un[/I]intentionally is good, even if the layers are physically and chemically indistinguishable. To support that belief, they have faith that they (or [I]someone[/I]) can always tell the two apart. I think it's all very silly. Toning is [I]post-mint damage[/I], whether it's done accidentally over decades or intentionally in seconds. Some of it is quite beautiful, and worthy of collecting. But this religious conviction that "artificial toning" is and always will be inferior to "natural toning" is, well, silly. Atoms are atoms, and molecules are molecules, and we've already got plenty of artificial processes that can lay down thin films more precisely and repeatably than any "natural" process. If people aren't already using them to make toners that "pass", they soon will.[/QUOTE]
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If this Morgan toner had straight graded what do you think it would be worth?
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