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<p>[QUOTE="lrbguy, post: 3134971, member: 88829"]I appreciate this question from Martin. He is a specialist who really studies detail in coins. I am sure he will resonate to what I want to say for myself. </p><p><br /></p><p>I need to preface my comment by observing that I am no longer a beginning collector searching for a collecting rationale. My collection has evolved as a diverse assemblage with numerous subcollections devoted to different things. They vary not only by topic, but also approach. I say I don't collect Greek, but I do have specialized collections of Olbian dolphins, countermarked Persian sigloi, eagle and dolphin coins of Istros, and I cast longing eyes at the lion fractionals of Chersonesos (for the reverses). Those collections vary from a couple of dozen to a couple of hundred examples, and they do not have a uniform code of acceptability. </p><p><br /></p><p>Here are a couple of dolphins, collected for shape and size, that might leave you shaking your head:</p><p>[ATTACH=full]800385[/ATTACH] </p><p><br /></p><p>Pretty much the same can be said of my collection of Roman provincials, for which the standard tends to be a bit higher in general than the Olbian pieces, but probably not as high as for the Greek silver. For Roman imperial I collect only silver through the third century and mainly bronze thereafter. For that my standards are highest. But why?</p><p><br /></p><p>I do not have a one-size-fits-all standard of acceptability. How far down in grade is acceptable depends entirely upon how I want/need/expect the coin to function in my collection. An illustrative example came up in <a href="https://www.cointalk.com/threads/which-way-is-she-facing.319727/" class="internalLink ProxyLink" data-proxy-href="https://www.cointalk.com/threads/which-way-is-she-facing.319727/">another thread</a>. I have nearly 20 denarii of Julia Paula, but this coin I do not own:</p><p>[ATTACH=full]800367[/ATTACH] </p><p>This coin has a good portrait with little wear and is mostly well struck except for a bit of striking flatness at the base of the obverse portrait and top of the reverse. If all I wanted was an affordable example of one of the coins of Julia Paula that portrays her well, this would fill the bill nicely. But my interest in this coin centered on a feature that was made obscure by the striking defect. Participants in that thread convinced me that I am better off without that coin. In that they reminded me of one of the main principles that guide all of my collecting of ancients:</p><p><br /></p><p>When condition prevents me from a clear look at the details that matter to me, details which mean something to my collection, then I will pass on the coin, irrespective of price.[/QUOTE]</p><p><br /></p>
[QUOTE="lrbguy, post: 3134971, member: 88829"]I appreciate this question from Martin. He is a specialist who really studies detail in coins. I am sure he will resonate to what I want to say for myself. I need to preface my comment by observing that I am no longer a beginning collector searching for a collecting rationale. My collection has evolved as a diverse assemblage with numerous subcollections devoted to different things. They vary not only by topic, but also approach. I say I don't collect Greek, but I do have specialized collections of Olbian dolphins, countermarked Persian sigloi, eagle and dolphin coins of Istros, and I cast longing eyes at the lion fractionals of Chersonesos (for the reverses). Those collections vary from a couple of dozen to a couple of hundred examples, and they do not have a uniform code of acceptability. Here are a couple of dolphins, collected for shape and size, that might leave you shaking your head: [ATTACH=full]800385[/ATTACH] Pretty much the same can be said of my collection of Roman provincials, for which the standard tends to be a bit higher in general than the Olbian pieces, but probably not as high as for the Greek silver. For Roman imperial I collect only silver through the third century and mainly bronze thereafter. For that my standards are highest. But why? I do not have a one-size-fits-all standard of acceptability. How far down in grade is acceptable depends entirely upon how I want/need/expect the coin to function in my collection. An illustrative example came up in [URL='https://www.cointalk.com/threads/which-way-is-she-facing.319727/']another thread[/URL]. I have nearly 20 denarii of Julia Paula, but this coin I do not own: [ATTACH=full]800367[/ATTACH] This coin has a good portrait with little wear and is mostly well struck except for a bit of striking flatness at the base of the obverse portrait and top of the reverse. If all I wanted was an affordable example of one of the coins of Julia Paula that portrays her well, this would fill the bill nicely. But my interest in this coin centered on a feature that was made obscure by the striking defect. Participants in that thread convinced me that I am better off without that coin. In that they reminded me of one of the main principles that guide all of my collecting of ancients: When condition prevents me from a clear look at the details that matter to me, details which mean something to my collection, then I will pass on the coin, irrespective of price.[/QUOTE]
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How poor does a coin need to be before it's not good enough for you?
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