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<p>[QUOTE="medoraman, post: 1242281, member: 26302"]I understand Doug, and you are exactly right. I was just asking if it was a case that "proof" was created for the same reason artist proofs are made, simply a best example for the powers that be to approve production. I have read about this in many fields involving mass production of a artistic nature, (the dies of coins being artistic devices). I only linked the wikipedia definition because it was handy, I have read the same definition in multiple publications.</p><p><br /></p><p>I 100%, fully, completely agree that "modern" proofs are your definition, and its a great definition because it is provable. Your definition is eminently provable, and as such is the best definition for 99% of all collectors.</p><p><br /></p><p>My question is just lies at the base of what a "proof" is. Yes, I am arguing that any coin, struck from fresh dies, specially selected, (or prepared), flans, and is intended to be the finest quality the mint can produce, to me is that mint's "proof". I even have a real world example. I was discussing with a mint master of one of those medieval reenacting groups. He said the procedure was he crafted a new die for the new "king", got a perfect flan and polished it, struck it as well as he could, and then had to show the new "king" the coin before the "king" approved production. To me, that would be a "proof" of his new design. Yes, I know another term would be trial strike, but in this case it wasn't a normal strike and a normal flan, but specially prepared to be the best example possible. The new "king" even keeps it as the best example of his new coinage.</p><p><br /></p><p>I know Doug, I am probably out there. Hobo's examples of SMS and mint sets show that just a good quality coin cannot ever be a proof, it has to be the best possible at that mint, which the SMS and mint sets aren't. My defintion sucks for collectors because intent is almost unprovable, making "proof" designation almost unprovable.</p><p><br /></p><p>Chris[/QUOTE]</p><p><br /></p>
[QUOTE="medoraman, post: 1242281, member: 26302"]I understand Doug, and you are exactly right. I was just asking if it was a case that "proof" was created for the same reason artist proofs are made, simply a best example for the powers that be to approve production. I have read about this in many fields involving mass production of a artistic nature, (the dies of coins being artistic devices). I only linked the wikipedia definition because it was handy, I have read the same definition in multiple publications. I 100%, fully, completely agree that "modern" proofs are your definition, and its a great definition because it is provable. Your definition is eminently provable, and as such is the best definition for 99% of all collectors. My question is just lies at the base of what a "proof" is. Yes, I am arguing that any coin, struck from fresh dies, specially selected, (or prepared), flans, and is intended to be the finest quality the mint can produce, to me is that mint's "proof". I even have a real world example. I was discussing with a mint master of one of those medieval reenacting groups. He said the procedure was he crafted a new die for the new "king", got a perfect flan and polished it, struck it as well as he could, and then had to show the new "king" the coin before the "king" approved production. To me, that would be a "proof" of his new design. Yes, I know another term would be trial strike, but in this case it wasn't a normal strike and a normal flan, but specially prepared to be the best example possible. The new "king" even keeps it as the best example of his new coinage. I know Doug, I am probably out there. Hobo's examples of SMS and mint sets show that just a good quality coin cannot ever be a proof, it has to be the best possible at that mint, which the SMS and mint sets aren't. My defintion sucks for collectors because intent is almost unprovable, making "proof" designation almost unprovable. Chris[/QUOTE]
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