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<p>[QUOTE="Numbers, post: 855543, member: 11668"]I collect a few things, but they're pretty much all related to my attempts to work out and/or verify the serial number data.</p><p> </p><p>For example, I've got a long-term project of trying to reconstruct the gaps in the serial numbering of the 18- and 32-subject silver certificate star notes. Leaving out the technical explanations, we know how many gaps exist in each series, how long the gaps are, and where they can fall (always at the start of a print run). So theoretically, it's possible to identify the gaps by process of elimination: just check off all the runs that *don't* have gaps, by finding a note from each one, and what's left are the runs with the gaps.</p><p> </p><p>Unfortunately, the total number of print runs is often quite large (several hundred per series in some cases). I don't believe I could record that much data without making a single typo, and of course one typo is enough to completely wreck a process-of-elimination analysis. So I've been trying to actually *collect* one star note from the relevant range of each print run, to make a reference set. I've got close to 600 carefully selected $1 SC stars so far, and that's not even a third of the total I'll eventually need.... But it's already getting rather tough to find notes that advance the project, because I've already got most of the easy ones, so quite a lot of the notes I look at now fall into runs I've already got.</p><p> </p><p>Building a set like this puts me into a rather nonstandard collecting mindset. For one thing, a VF note and a Gem CU note will serve my purposes equally well, but the VF is a whole lot cheaper (and a VG with graffiti is cheaper still). So I frequently find myself turning down high-grade notes, if they're from runs that are common enough that I think I can find a lower-grade example later (or if they're from series that are just too expensive in CU). For another thing, I have to hunt down all of the notes personally--I can't just call up a dealer and ask whether he's got a 1935F $1 star note from run #261, because nobody sorts notes that way, because nobody except me collects like this!</p><p> </p><p>Fortunately, I'm the right sort of crazy that this kind of thing appeals to me. Unfortunately, most other collectors are a different sort of crazy than I am, so they don't tend to "get" it. <img src="styles/default/xenforo/clear.png" class="mceSmilieSprite mceSmilie11" alt=":rolleyes:" unselectable="on" unselectable="on" /></p><p> </p><p>(But if this kind of project actually sounds like fun to you, then the FRN stars from 1950A through 1974 still need to be worked on. I've recorded some data on them, but I've never even tried to start a collection because of the expense involved....)[/QUOTE]</p><p><br /></p>
[QUOTE="Numbers, post: 855543, member: 11668"]I collect a few things, but they're pretty much all related to my attempts to work out and/or verify the serial number data. For example, I've got a long-term project of trying to reconstruct the gaps in the serial numbering of the 18- and 32-subject silver certificate star notes. Leaving out the technical explanations, we know how many gaps exist in each series, how long the gaps are, and where they can fall (always at the start of a print run). So theoretically, it's possible to identify the gaps by process of elimination: just check off all the runs that *don't* have gaps, by finding a note from each one, and what's left are the runs with the gaps. Unfortunately, the total number of print runs is often quite large (several hundred per series in some cases). I don't believe I could record that much data without making a single typo, and of course one typo is enough to completely wreck a process-of-elimination analysis. So I've been trying to actually *collect* one star note from the relevant range of each print run, to make a reference set. I've got close to 600 carefully selected $1 SC stars so far, and that's not even a third of the total I'll eventually need.... But it's already getting rather tough to find notes that advance the project, because I've already got most of the easy ones, so quite a lot of the notes I look at now fall into runs I've already got. Building a set like this puts me into a rather nonstandard collecting mindset. For one thing, a VF note and a Gem CU note will serve my purposes equally well, but the VF is a whole lot cheaper (and a VG with graffiti is cheaper still). So I frequently find myself turning down high-grade notes, if they're from runs that are common enough that I think I can find a lower-grade example later (or if they're from series that are just too expensive in CU). For another thing, I have to hunt down all of the notes personally--I can't just call up a dealer and ask whether he's got a 1935F $1 star note from run #261, because nobody sorts notes that way, because nobody except me collects like this! Fortunately, I'm the right sort of crazy that this kind of thing appeals to me. Unfortunately, most other collectors are a different sort of crazy than I am, so they don't tend to "get" it. :rolleyes: (But if this kind of project actually sounds like fun to you, then the FRN stars from 1950A through 1974 still need to be worked on. I've recorded some data on them, but I've never even tried to start a collection because of the expense involved....)[/QUOTE]
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