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<p>[QUOTE="Lehigh96, post: 610067, member: 15309"]<p style="text-align: center"><font face="Book Antiqua"><font size="6"><span style="color: Blue">INTRODUCTION</span></font></font></p> <p style="text-align: center"><font face="Book Antiqua"><font size="6"><span style="color: Blue"><br /></span></font></font></p><p><br /></p><p><br /></p><p>Have you ever owned a gorgeously toned proof coin that you wanted to show off to all of your friends in the virtual world? Have you ever tried to photograph a toned proof only to find out that no matter what you do the colors that explode off the coin in hand seem destined to hide in your photos? Photographing coins can be very frustrating. Photographing toned coins can drive you insane. Photographing toned proof coins can be enough for a collector to throw the camera in the ocean and look for a new hobby. But don't despair, diffused lighting is here to save the day.</p><p><br /></p><p>I will not begin to give a lesson in the principles of photography, but I would like to show everyone the benefits of diffused lighting in coin photography. Diffused lighting is especially useful in photographing proof coins which don't have cartwheel luster. This lighting technique will make the appearance of traditional luster disappear from your photos of your mint state coins. However, the ability to show color is greatly increased. Diffused lighting is very useful in three different scenarios.</p><p><br /></p><p><br /></p><p style="text-align: center"><font face="Book Antiqua"><font size="6"><span style="color: Blue">TONED PROOF COINS</span></font></font></p> <p style="text-align: center"><br /></p><p><br /></p><p>Let us look at a typical photo of a toned proof coin. The photo below is of a wildly toned 1964 Jefferson Nickel NGC PF67. </p><p><br /></p><p><font face="Book Antiqua"><font size="4"><span style="color: Red">Standard Lighting</span></font></font></p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels/JeffersonNickel1964NGCPF67H1.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /> </p><p><br /></p><p>Unfortunately, the colors on the coin are obscured by the mirrored surfaces of the coin and can only be partially seen on the high points. Most collectors would look at this photo and have no idea of how impressive the coin looks in hand. Now let's look at the same coin photographed with diffused lighting and admire the end result in all it's glory.</p><p><br /></p><p><font face="Book Antiqua"><font size="4"><span style="color: Red">Diffused Lighting</span></font></font></p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels/JeffersonNickel1964NGCPF67H.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p style="text-align: center"><font face="Book Antiqua"><font size="6"><span style="color: Blue">PROOF CAMEO & ULTRA CAMEOS</span></font></font></p> <p style="text-align: center"><br /></p><p><br /></p><p>Not only can diffused lighting be used on toned proofs to show color, it can also be used on proof cameos and deep cameos to show a reverse cameo effect. When diffused lighting is used on cameo coins, the fields will become white and the devices dark, creating the reverse cameo effect. While this appearance does not suit every collectors' tastes, it does provide an impressive alternative to the standard black and white cameo presentation of a proof coin. Here is a 1992-S Kennedy Half Dollar Silver NGC PF69 ULTRA CAMEO</p><p><br /></p><p><font face="Book Antiqua"><font size="4"><span style="color: Red">Diffused Lighting</span></font></font></p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Kennedy%20Half%20Dollars/KennedyHalfDollar1992-SNGCPF69UL-3.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p style="text-align: center"><font face="Book Antiqua"><font size="6"><span style="color: Blue">ELUSIVE COLOR MINT STATE COINS</span></font></font></p> <p style="text-align: center"><br /></p><p><br /></p><p>The last application for diffused lighting is with those extraordinarily hard to capture color mint state coins. There are toned coins that no matter how you angle the light, the only way to capture the color creates a glare on the slab right over the coin. For these coins, you can use diffused lighting to reduce the glare and show the full range of colors. However, any cartwheel luster on the coin will disappear in the process. I recommend that two sets of photos be taken for these coins. One will show the luster and the other the color. By viewing both, the observer can generate an idea in his/her head of what the actual coin would look like in hand. Here is a 1958 Washington Quarter NGC MS66* that is a perfect example.</p><p><br /></p><p><font face="Book Antiqua"><font size="4"><span style="color: Red">Standard Lighting</span></font></font></p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Washington%20Quarters/WashingtonQuarter1958NGCMS66Star.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p><font face="Book Antiqua"><font size="4"><span style="color: Red">Diffused Lighting</span></font></font></p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Washington%20Quarters/WashingtonQuarter1958NGCMS66StarH.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>Notice the complete lack of apparent luster in the second photograph but the color range is phenomenal. Personally, I like the appearance of the first photograph better, but if I were ever inclined to sell the coin, the second photograph would bring the money.</p><p><br /></p><p><br /></p><p style="text-align: center"><font face="Book Antiqua"><font size="6"><span style="color: Blue">DIFFUSED LIGHTING SET UP</span></font></font></p> <p style="text-align: center"><br /></p><p><br /></p><p>Now I know what you guys are thinking: I don't have the tools to diffuse the lighting. Please know that every photograph I have shown in this thread with diffused lighting used only two additional household items: a rubber band and a paper towel. If you don't believe me, see for yourself. Here is the set up.</p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/2009%20Blizzard%20Photos/051709.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p>Okay guys, go experiment with diffused lighting and see what you can show me. Have fun![/QUOTE]</p><p><br /></p>
[QUOTE="Lehigh96, post: 610067, member: 15309"][CENTER][FONT=Book Antiqua][SIZE=6][COLOR=Blue]INTRODUCTION [/COLOR][/SIZE][/FONT][/CENTER] Have you ever owned a gorgeously toned proof coin that you wanted to show off to all of your friends in the virtual world? Have you ever tried to photograph a toned proof only to find out that no matter what you do the colors that explode off the coin in hand seem destined to hide in your photos? Photographing coins can be very frustrating. Photographing toned coins can drive you insane. Photographing toned proof coins can be enough for a collector to throw the camera in the ocean and look for a new hobby. But don't despair, diffused lighting is here to save the day. I will not begin to give a lesson in the principles of photography, but I would like to show everyone the benefits of diffused lighting in coin photography. Diffused lighting is especially useful in photographing proof coins which don't have cartwheel luster. This lighting technique will make the appearance of traditional luster disappear from your photos of your mint state coins. However, the ability to show color is greatly increased. Diffused lighting is very useful in three different scenarios. [CENTER][FONT=Book Antiqua][SIZE=6][COLOR=Blue]TONED PROOF COINS[/COLOR][/SIZE][/FONT] [/CENTER] Let us look at a typical photo of a toned proof coin. The photo below is of a wildly toned 1964 Jefferson Nickel NGC PF67. [FONT=Book Antiqua][SIZE=4][COLOR=Red]Standard Lighting[/COLOR][/SIZE][/FONT] [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels/JeffersonNickel1964NGCPF67H1.jpg[/IMG] Unfortunately, the colors on the coin are obscured by the mirrored surfaces of the coin and can only be partially seen on the high points. Most collectors would look at this photo and have no idea of how impressive the coin looks in hand. Now let's look at the same coin photographed with diffused lighting and admire the end result in all it's glory. [FONT=Book Antiqua][SIZE=4][COLOR=Red]Diffused Lighting[/COLOR][/SIZE][/FONT] [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels/JeffersonNickel1964NGCPF67H.jpg[/IMG] [CENTER][FONT=Book Antiqua][SIZE=6][COLOR=Blue]PROOF CAMEO & ULTRA CAMEOS[/COLOR][/SIZE][/FONT] [/CENTER] Not only can diffused lighting be used on toned proofs to show color, it can also be used on proof cameos and deep cameos to show a reverse cameo effect. When diffused lighting is used on cameo coins, the fields will become white and the devices dark, creating the reverse cameo effect. While this appearance does not suit every collectors' tastes, it does provide an impressive alternative to the standard black and white cameo presentation of a proof coin. Here is a 1992-S Kennedy Half Dollar Silver NGC PF69 ULTRA CAMEO [FONT=Book Antiqua][SIZE=4][COLOR=Red]Diffused Lighting[/COLOR][/SIZE][/FONT] [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Kennedy%20Half%20Dollars/KennedyHalfDollar1992-SNGCPF69UL-3.jpg[/IMG] [CENTER][FONT=Book Antiqua][SIZE=6][COLOR=Blue]ELUSIVE COLOR MINT STATE COINS[/COLOR][/SIZE][/FONT] [/CENTER] The last application for diffused lighting is with those extraordinarily hard to capture color mint state coins. There are toned coins that no matter how you angle the light, the only way to capture the color creates a glare on the slab right over the coin. For these coins, you can use diffused lighting to reduce the glare and show the full range of colors. However, any cartwheel luster on the coin will disappear in the process. I recommend that two sets of photos be taken for these coins. One will show the luster and the other the color. By viewing both, the observer can generate an idea in his/her head of what the actual coin would look like in hand. Here is a 1958 Washington Quarter NGC MS66* that is a perfect example. [FONT=Book Antiqua][SIZE=4][COLOR=Red]Standard Lighting[/COLOR][/SIZE][/FONT] [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Washington%20Quarters/WashingtonQuarter1958NGCMS66Star.jpg[/IMG] [FONT=Book Antiqua][SIZE=4][COLOR=Red]Diffused Lighting[/COLOR][/SIZE][/FONT] [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Washington%20Quarters/WashingtonQuarter1958NGCMS66StarH.jpg[/IMG] Notice the complete lack of apparent luster in the second photograph but the color range is phenomenal. Personally, I like the appearance of the first photograph better, but if I were ever inclined to sell the coin, the second photograph would bring the money. [CENTER][FONT=Book Antiqua][SIZE=6][COLOR=Blue]DIFFUSED LIGHTING SET UP[/COLOR][/SIZE][/FONT] [/CENTER] Now I know what you guys are thinking: I don't have the tools to diffuse the lighting. Please know that every photograph I have shown in this thread with diffused lighting used only two additional household items: a rubber band and a paper towel. If you don't believe me, see for yourself. Here is the set up. [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/2009%20Blizzard%20Photos/051709.jpg[/IMG] Okay guys, go experiment with diffused lighting and see what you can show me. Have fun![/QUOTE]
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