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Daniel Carr Fake, I just Reported it!!
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<p>[QUOTE="Coinchemistry 2012, post: 2603273, member: 28107"]Some of you are unbelievable. Might I suggest that you and a few others lookup the word "hypocrisy" in the dictionary as it is non-existent in my posts. I am beginning to question the ages of some of the posters in this thread. </p><p><br /></p><p>The hypocrisy is clear: Carr is venerated as an artist for the production of his fantasy overstrike pieces, which effectively copy someone else's original designs (the designer/engraver) and then overstrikes them over someone else's works (the U.S. Mint's final production). The person copying Carr's original designs (and making stylistic changes with artistic license) exhibits just as much artistry as Carr does in the production of his fantasy pieces. As Carr loves to argue (when comparing himself to Andy Warhol no less), "you don't get to decide what art is."</p><p><br /></p><p>As for the copyright issues, for anyone that can pass an elementary school reading comprehension exam, I acknowledged the problems from the beginning. I never seriously argued that the Amero copies were legally or morally kosher. Regardless of whether a design is in the public domain or not does not change my original point: Ripping off someone else's work is ripping off someone else's work. <b>Of course if any of you actually cared about the law, then neither Carr's fantasy overstrikes nor the Amero copies would exist in their current forms.</b>[/QUOTE]</p><p><br /></p>
[QUOTE="Coinchemistry 2012, post: 2603273, member: 28107"]Some of you are unbelievable. Might I suggest that you and a few others lookup the word "hypocrisy" in the dictionary as it is non-existent in my posts. I am beginning to question the ages of some of the posters in this thread. The hypocrisy is clear: Carr is venerated as an artist for the production of his fantasy overstrike pieces, which effectively copy someone else's original designs (the designer/engraver) and then overstrikes them over someone else's works (the U.S. Mint's final production). The person copying Carr's original designs (and making stylistic changes with artistic license) exhibits just as much artistry as Carr does in the production of his fantasy pieces. As Carr loves to argue (when comparing himself to Andy Warhol no less), "you don't get to decide what art is." As for the copyright issues, for anyone that can pass an elementary school reading comprehension exam, I acknowledged the problems from the beginning. I never seriously argued that the Amero copies were legally or morally kosher. Regardless of whether a design is in the public domain or not does not change my original point: Ripping off someone else's work is ripping off someone else's work. [B]Of course if any of you actually cared about the law, then neither Carr's fantasy overstrikes nor the Amero copies would exist in their current forms.[/B][/QUOTE]
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Daniel Carr Fake, I just Reported it!!
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