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<p>[QUOTE="dougsmit, post: 2711012, member: 19463"]Paduans or the medals of Giovanni Cavino from the 16th century struck from his original dies are as valuable as the coins they copied but we only see a very few offered. More are casts made later from molds made from originals or earlier generations of casts. After a few generations, detail is terrible and obviously not original even to beginners. We see terms like cast, early after-cast and late after-cast. Exactly where the line is drawn between the groups is a lot like grading with opinions all over the place. </p><p><br /></p><p>The second problem is that not all cast fake sestertii and medallions are Paduans much less works of Giovanni Cavino. The book on these is PD and free online:</p><p><a href="https://archive.org/details/medalsbygiovanni00lawriala" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://archive.org/details/medalsbygiovanni00lawriala" rel="nofollow">https://archive.org/details/medalsbygiovanni00lawriala</a></p><p><br /></p><p>This is #32 on page 13 so it has added interest in at least having been related to the famous Cavino rather than another medallist of the same or later period. How we are suppose to tell Cavino's from works of his students is beyond me but the same problem troubles people interested in paintings and sculptures that cost millions so we get off easy. </p><p><br /></p><p>I have two from Septimius Severus. The first is a late after-cast with reverse not proper to Septimius (Nerva?). I suspect it spent years as a pocket piece but may be closer to 19th century than 16th. </p><p>[ATTACH=full]612251[/ATTACH] </p><p>Second, Mars, is a bit better but still what I would call a later after-cast unless I were trying to sell it when I might be less specific and just say 'after-cast'. I've seen similar called 'early'. It is in the book as #69 so would sell for much more than the above junker. While not as many generations from a struck original, I am unclear how to say when it was made. </p><p>[ATTACH=full]612252[/ATTACH] </p><p><br /></p><p>Last is a Divus Pertinax not in the book and only standard sestertius size. It was sold to me as a Paduan by a dealer who priced it as what it is but called it more than what I consider appropriate. It is cast and the original was Renaissance <b>or later</b> (not 193 AD!) artwork. If the style fools you as ancient, I suggest you not buy a Pertinax quite yet. I sure would like to know for sure when it was made. It is a fake but a pretty bauble whether it was made by Cavino or another Italian of the same name. </p><p>[ATTACH=full]612254[/ATTACH] </p><p><br /></p><p>I enjoy seeing listings of these coins just to compare where the catalogers place them in the degeneration from struck to trash. There are many opinions. Ken's is a pretty nice cast but in no danger of being mistaken for an original. I agree with his take on the coin:</p><p><br /></p><p>His first link given above is particularly interesting as it is listed as struck (I tend to agree from the photo) but it is holed. It was estimated at $100 and sold for $1100 plus fluff. Opinions matter.[/QUOTE]</p><p><br /></p>
[QUOTE="dougsmit, post: 2711012, member: 19463"]Paduans or the medals of Giovanni Cavino from the 16th century struck from his original dies are as valuable as the coins they copied but we only see a very few offered. More are casts made later from molds made from originals or earlier generations of casts. After a few generations, detail is terrible and obviously not original even to beginners. We see terms like cast, early after-cast and late after-cast. Exactly where the line is drawn between the groups is a lot like grading with opinions all over the place. The second problem is that not all cast fake sestertii and medallions are Paduans much less works of Giovanni Cavino. The book on these is PD and free online: [url]https://archive.org/details/medalsbygiovanni00lawriala[/url] This is #32 on page 13 so it has added interest in at least having been related to the famous Cavino rather than another medallist of the same or later period. How we are suppose to tell Cavino's from works of his students is beyond me but the same problem troubles people interested in paintings and sculptures that cost millions so we get off easy. I have two from Septimius Severus. The first is a late after-cast with reverse not proper to Septimius (Nerva?). I suspect it spent years as a pocket piece but may be closer to 19th century than 16th. [ATTACH=full]612251[/ATTACH] Second, Mars, is a bit better but still what I would call a later after-cast unless I were trying to sell it when I might be less specific and just say 'after-cast'. I've seen similar called 'early'. It is in the book as #69 so would sell for much more than the above junker. While not as many generations from a struck original, I am unclear how to say when it was made. [ATTACH=full]612252[/ATTACH] Last is a Divus Pertinax not in the book and only standard sestertius size. It was sold to me as a Paduan by a dealer who priced it as what it is but called it more than what I consider appropriate. It is cast and the original was Renaissance [B]or later[/B] (not 193 AD!) artwork. If the style fools you as ancient, I suggest you not buy a Pertinax quite yet. I sure would like to know for sure when it was made. It is a fake but a pretty bauble whether it was made by Cavino or another Italian of the same name. [ATTACH=full]612254[/ATTACH] I enjoy seeing listings of these coins just to compare where the catalogers place them in the degeneration from struck to trash. There are many opinions. Ken's is a pretty nice cast but in no danger of being mistaken for an original. I agree with his take on the coin: His first link given above is particularly interesting as it is listed as struck (I tend to agree from the photo) but it is holed. It was estimated at $100 and sold for $1100 plus fluff. Opinions matter.[/QUOTE]
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