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<p>[QUOTE="Lehigh96, post: 2130033, member: 15309"]I don't have a strict definition of rainbow toning, as Chiefbullsit tried to point out earlier in this thread, and the apples to oranges accusation still applies to the coins that you are showing. I have stated the reasons previously, but you seem to want to ignore them. First, you are showing ultra rarities with some measure of toning. If you removed most of the toning patterns and color schemes from those coins and placed them on Morgan Dollars, you would not end up with a significant price premium. In addition, you are showing mostly proof coins which tend to tone differently than mint state coins, thus apples to oranges. You can't compare the toning on a high grade proof Barber to that on a Morgan Dollar, you just can't do it.</p><p><br /></p><p>Regarding toned proofs, the color is very elusive, both in hand and in photographs. In the photographs, the toning looks impressive, but in order to capture that toning, you need to view the coin at a certain angle with correct lighting conditions. If you go back and research some of Doug's old posts, he will corroborate exactly what I am saying, though he thinks that it happens with all toned coins. I will tell you that the range of angles you can easily view most mint state toning is far greater than the range for proof toned coins. Here is an example of what I am talking about. This is one of the most vibrantly toned Jefferson Nickel proofs I have ever seen.</p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels%20Misc/JN%201964%20NGC%20PF67%20Obvdiffused_zpsv6m84acn.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>But those colors only pop like that when the coin is viewed under a bright light source at a very small range of angles. In order to capture that color in a photograph, it was necessary to flood the surface of the coin with diffused lighting. If you view that same coin under direct lighting conditions, the same lighting conditions I use to photograph all of my mint state toners, the appearance of the coin changes drastically.</p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels%20Misc/JN%201964%20NGC%20PF67%20Obv_zpsnfj32nhd.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>Now you can still see hints of color, but it is nowhere near as dramatic as the first photograph. This is what the catalogs are talking about when they refer to iridescent toning on a proof coin. For the most part, it has the appearance of most proof coins, black and mirrored. I hope this helps explain why you can't compare toning on proofs to toning on mint state coins.</p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p>While you may think that my definition of rainbow toning is strict, you will find that most people who collect rainbow toned coins have a similar view. You are looking at 30 year old catalogs of some toned ultra rarities with amazing pedigrees and are using those coins as examples of coins that drive a premium based on eye appeal. IMO, you are simply enamored with the magnitude of these coins and are severely over emphasizing the actual beauty of the toning on these coins. I'm not saying the coins are not beautiful, I'm saying that most of the beauty comes from the level of overall preservation in combination with the rarity and pedigrees, and not from the toning.</p><p><br /></p><p>Again, those are not the types of coins that we are discussing in this thread. We are talking about common coins that when combined with dramatic rainbow toning, become uncommon coins with a huge price premium associated with the toning, and are targets for coin doctors looking to cash in. </p><p><br /></p><p>Nobody is going to attempt to artificially tone a 1904 Barber Quarter PR67 CAMEO. It is a $3K + coin and messing with it could significantly reduce the value. Btw, I had to go to the Heritage archives to check the price. How many of these 1904 Barber Quarters in PR67 CAMEO have dramatic toning?</p><p><br /></p><p><img src="http://i117.photobucket.com/albums/o59/ACPitBoss/Screen%20shot%202015-04-15%20at%204.05.17%20PM_zps5ek6msb7.png" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>And if we look closely at the one that you would say has beautiful rainbow toning, first we see the "beauty shot" as Heritage calls it.</p><p><br /></p><p><img src="http://dyn2.heritagestatic.com/lf?set=path%5B4%2F6%2F5%2F2%2F4652339%5D%2Csizedata%5B450x2000%5D&call=url%5Bfile%3Aproduct.chain%5D" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>Then they show you the slab photo, what it really looks like!</p><p><br /></p><p><img src="http://dyn3.heritagestatic.com/lf?set=path%5B4%2F6%2F3%2F9%2F4639963%5D%2Csizedata%5B450x2000%5D&call=url%5Bfile%3Aproduct.chain%5D" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>Do you really want to call that coin rainbow toned?[/QUOTE]</p><p><br /></p>
[QUOTE="Lehigh96, post: 2130033, member: 15309"]I don't have a strict definition of rainbow toning, as Chiefbullsit tried to point out earlier in this thread, and the apples to oranges accusation still applies to the coins that you are showing. I have stated the reasons previously, but you seem to want to ignore them. First, you are showing ultra rarities with some measure of toning. If you removed most of the toning patterns and color schemes from those coins and placed them on Morgan Dollars, you would not end up with a significant price premium. In addition, you are showing mostly proof coins which tend to tone differently than mint state coins, thus apples to oranges. You can't compare the toning on a high grade proof Barber to that on a Morgan Dollar, you just can't do it. Regarding toned proofs, the color is very elusive, both in hand and in photographs. In the photographs, the toning looks impressive, but in order to capture that toning, you need to view the coin at a certain angle with correct lighting conditions. If you go back and research some of Doug's old posts, he will corroborate exactly what I am saying, though he thinks that it happens with all toned coins. I will tell you that the range of angles you can easily view most mint state toning is far greater than the range for proof toned coins. Here is an example of what I am talking about. This is one of the most vibrantly toned Jefferson Nickel proofs I have ever seen. [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels%20Misc/JN%201964%20NGC%20PF67%20Obvdiffused_zpsv6m84acn.jpg[/IMG] But those colors only pop like that when the coin is viewed under a bright light source at a very small range of angles. In order to capture that color in a photograph, it was necessary to flood the surface of the coin with diffused lighting. If you view that same coin under direct lighting conditions, the same lighting conditions I use to photograph all of my mint state toners, the appearance of the coin changes drastically. [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Jefferson%20Nickels%20Misc/JN%201964%20NGC%20PF67%20Obv_zpsnfj32nhd.jpg[/IMG] Now you can still see hints of color, but it is nowhere near as dramatic as the first photograph. This is what the catalogs are talking about when they refer to iridescent toning on a proof coin. For the most part, it has the appearance of most proof coins, black and mirrored. I hope this helps explain why you can't compare toning on proofs to toning on mint state coins. While you may think that my definition of rainbow toning is strict, you will find that most people who collect rainbow toned coins have a similar view. You are looking at 30 year old catalogs of some toned ultra rarities with amazing pedigrees and are using those coins as examples of coins that drive a premium based on eye appeal. IMO, you are simply enamored with the magnitude of these coins and are severely over emphasizing the actual beauty of the toning on these coins. I'm not saying the coins are not beautiful, I'm saying that most of the beauty comes from the level of overall preservation in combination with the rarity and pedigrees, and not from the toning. Again, those are not the types of coins that we are discussing in this thread. We are talking about common coins that when combined with dramatic rainbow toning, become uncommon coins with a huge price premium associated with the toning, and are targets for coin doctors looking to cash in. Nobody is going to attempt to artificially tone a 1904 Barber Quarter PR67 CAMEO. It is a $3K + coin and messing with it could significantly reduce the value. Btw, I had to go to the Heritage archives to check the price. How many of these 1904 Barber Quarters in PR67 CAMEO have dramatic toning? [IMG]http://i117.photobucket.com/albums/o59/ACPitBoss/Screen%20shot%202015-04-15%20at%204.05.17%20PM_zps5ek6msb7.png[/IMG] And if we look closely at the one that you would say has beautiful rainbow toning, first we see the "beauty shot" as Heritage calls it. [img]http://dyn2.heritagestatic.com/lf?set=path%5B4%2F6%2F5%2F2%2F4652339%5D%2Csizedata%5B450x2000%5D&call=url%5Bfile%3Aproduct.chain%5D[/img] Then they show you the slab photo, what it really looks like! [img]http://dyn3.heritagestatic.com/lf?set=path%5B4%2F6%2F3%2F9%2F4639963%5D%2Csizedata%5B450x2000%5D&call=url%5Bfile%3Aproduct.chain%5D[/img] Do you really want to call that coin rainbow toned?[/QUOTE]
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Beware of rainbow toning
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