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Attribution Quiz #2 - Victor Clark
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<p>[QUOTE="lordmarcovan, post: 2753771, member: 10461"]Campgates are cool.</p><p><br /></p><p>So is "desert" (sandy, earthen, Levant) patina like that seen on the first coins posted by [USER=5454]@Victor_Clark[/User] and [USER=44132]@Bing[/USER]. That contrast makes the design "pop", and for me anyway, coins with contrasting patina or toning like that much more readily "leap off the monitor" at me.</p><p><br /></p><p>These days I'm more an aesthetic rather than scholarly collector, which is why you'll often find me talking about patinas and toning and designs and such rather than citing RIC numbers.</p><p><br /></p><p>I learned a while ago that the deeper scholarly work of detailed attribution will never be my strong suit (not in ancients, anyway), but I do love reading and learning about them. And I'm glad other people like to dig deep in the reference books, because research and knowledge like that benefits everyone when it's shared.[/QUOTE]</p><p><br /></p>
[QUOTE="lordmarcovan, post: 2753771, member: 10461"]Campgates are cool. So is "desert" (sandy, earthen, Levant) patina like that seen on the first coins posted by [USER=5454]@Victor_Clark[/User] and [USER=44132]@Bing[/USER]. That contrast makes the design "pop", and for me anyway, coins with contrasting patina or toning like that much more readily "leap off the monitor" at me. These days I'm more an aesthetic rather than scholarly collector, which is why you'll often find me talking about patinas and toning and designs and such rather than citing RIC numbers. I learned a while ago that the deeper scholarly work of detailed attribution will never be my strong suit (not in ancients, anyway), but I do love reading and learning about them. And I'm glad other people like to dig deep in the reference books, because research and knowledge like that benefits everyone when it's shared.[/QUOTE]
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Attribution Quiz #2 - Victor Clark
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