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<p>[QUOTE="Jochen1, post: 3556412, member: 103829"]Dear Friends of ancient mythology!</p><p><br /></p><p>Today I would like to present Atargatis:</p><p><br /></p><p><b>1st Coin:</b></p><p>Syria, Cyrrhestica, Hierapolis, Caracalla, AD 198-217</p><p>AE 27, 12.8mm, 26.97mm, 135°</p><p>Obv.: [AVTOKPATΩP KA]I MAPKOC AVPH ANTΩNINOC CE</p><p>Bust, draped and cuirassed, laureate, r.</p><p>Rev.: ΘEAC CVPIAC - IEPOΠOΛITΩN</p><p>Atargatis, in long garment, std. l. on throne with high back, r. foot set on</p><p>footstool, holding with l. hand tympanon on her l. knee, resting with r. arm on</p><p>arm of throne; before and behind the throne a lion std. r. with wide open mouth.</p><p>Ref.: Butcher, Coinage in Roman Syria, p.451, no.53, pl.27 (same obv. die)</p><p>rare, about VF, dark green glossy patina, nice rev., highlighted by sand patina</p><p>I was particularly taken with the opened throat of the rear lion!</p><p>[ATTACH=full]945340[/ATTACH]</p><p><br /></p><p><b>2nd Coin:</b></p><p>Syria Cyrrhestica, Hierapolis, Severus Alexander, AD 222-235</p><p>AE 28, 18.3g, 0°</p><p>Obv.: AVT KAI MAP A[VP CE AΛEZANDPOC]</p><p>Bust, draped and cuirassed, radiate, r.</p><p>Rev.: [ΘEAC CVPIAC IEPAΠO]ΛI / TΩN</p><p>Atargatis riding right on lion, holding sceptre, sitting left</p><p>Ref.: BMC 55 var.</p><p>rare, about VF, some roughness</p><p>Pedigree:</p><p>ex coll. Penina, Manfra and Brookes, 1968</p><p>[ATTACH=full]945341[/ATTACH]</p><p><br /></p><p><b>Background:</b></p><p>Hieropolis in Syria Cyrrhestica was the famous cult centre of Atargatis called Dea Syria in the hellenism too (not to be confused with Dea Coelestis from Carthage). She was worshipped mostly together with the West-Semitic weather-god Baal-Hadad in Baalbek, Damascus, Palmyra, Dura-Europos but especially in Hieropolis and in Askalon. Her Greek name was Derketo. There were etymological connections to the Phoinicean goddess Aphrodite-Astarte and similarity in the character to Kybele-Rhea from Asia Minor.They all have the <i>syzygie</i> (companionship) with a young male god of the type Adonis-Attis. The <i>parhedros</i> (assisting companion) of Atargatis was Hadad. Lukian of Samosate called them Zeus and Hera and describes detailed the temple of Bambyke with its beautiful fragrance. Lukian talked of a trias of deities, the third formerly seen as misinterpretation of a deifyed vexillum, now seen more as a deus inferior like Kombabos. The novel of Stratonike-Kombabos shows in its castration motiv the influence of the Kybele ministration, and the orientalic hetaera character of Atargatis-Astarte, which is known from Derketo-Semiramis of Askalon too. This must be seen as evidence of her great fertility to which the young parhedros was addicted until his death.</p><p><br /></p><p>Her cult affirmation were veil, flowers, omphalos, sea procession, <i>hydrophoria</i> (a libation festival), l<i>avatio</i> (washing), tree burning (<i>pyra</i>), ecstatic dancing, eviration and <i>phallolatria</i> (worshipping of the phallos). Like the Phoinicean Astarte Atargatis was first a local numen, mistress of the city (<i>Baalat</i>), with the <i>corona muralis </i>of the Magna Mater. She is depicted with her lions and the bulls of Hadad. As <i>Potnia Therion</i> (Mistress of the animals) the paradise of Bambyke belonged to her and the lake of the sacred fishes from Askalon. In this nature she expands to an universal range: The aetiologic legends of Derketo's leap into the lake and her transformation into a fish, her birth from an egg of the Euphrate assisted by fishes and doves and the dove metamorphosis of Semiramis not only serve as explanation of religious facts like the ichthyomorphismus (looking like a fish) or her fish and dove attributes. But the Syrian animal cult emphasizes with fish and dove two first-class exponents of animal fertility and so stresses the blessing power of Dea Syria over air and water. Her challenge to rule over sky and sea comes from her participation in characer elements of the Mesopotamian fish-goddess Nina-Ishtar and the West-Semitic dove mistress Semiramis-Astarte. Parallel to the spreading of her worshipping and syncretistic accommodation she was elevated to an all-creating World and Mother Goddess. She was the heir of the Ugaritic 'Asherat of the sea', on Delos the heir of the mediterranean Earth and Sky goddess Aphrodite-Ariadne. Via Sicily and the Italian harbours she came to Rome. Sueton writes in his 'De Vita Caesarum' about Nero:</p><p><br /></p><p><i>He utterly despised all cults, with the sole exception of that of the Syrian Goddess and even acquired such a contempt for her that he made water on her image, after he was enamored of another, superstition, which was the only one to which he constantly clung. For he had received as a gift from some unknown man of the commons, as a protection against plots, a little image of a girl; and since a conspiracy at once came to light, he continued to venerate it as a powerful divinity and to offer three sacrifices to it every day, encouraging the belief that through its communication he had knowledge of the future. A few months before his death he did attend an inspection of victims, but could not get a favorable omen.</i></p><p><i><br /></i></p><p>She is often mentioned by Apuleius in his Metamorphoses too. With the Roman soldiers her cult reached the frontiers of the Empire. In Edessa, Haran and Nisibis her cult resisted the Christianity for a long time. In Haran the self-castration was known until the 9th century AD.</p><p><br /></p><p>Today Atargatis has a revival in the esoteric scene. She is used by Heavy Metal groups and in the Gothic scene. I have attached the famous painting 'Astarte Syriaca' of the Pre-Raphaelite Dante Gabriel Rosetti.</p><p>[ATTACH=full]945342[/ATTACH]</p><p><br /></p><p><b>Sources:</b></p><p>(1) Lukian, De Dea Syria. online under <a href="http://www.sacred-texts.com/cla/luc/tsg/index.htm" target="_blank" class="externalLink ProxyLink" data-proxy-href="http://www.sacred-texts.com/cla/luc/tsg/index.htm" rel="nofollow">http://www.sacred-texts.com/cla/luc/tsg/index.htm</a></p><p>(2) Apuleius, Metamorphoses (The golden ass)</p><p>(3) Sueton, De Vita Caesarum</p><p><br /></p><p><b><b>Secondary Literature</b>:</b></p><p>(1) Der kleine Pauly</p><p><b><b><br /></b></b></p><p><b><b>Online Sources:</b></b></p><p>(1) <a href="http://www.hausarbeiten.de/faecher/hausarbeit/gef/8075.html" target="_blank" class="externalLink ProxyLink" data-proxy-href="http://www.hausarbeiten.de/faecher/hausarbeit/gef/8075.html" rel="nofollow">http://www.hausarbeiten.de/faecher/hausarbeit/gef/8075.html</a></p><p>(2) <a href="http://de.wikipedia.org/wiki/Dea_Syra" target="_blank" class="externalLink ProxyLink" data-proxy-href="http://de.wikipedia.org/wiki/Dea_Syra" rel="nofollow">http://de.wikipedia.org/wiki/Dea_Syra</a></p><p><br /></p><p>Best regards[/QUOTE]</p><p><br /></p>
[QUOTE="Jochen1, post: 3556412, member: 103829"]Dear Friends of ancient mythology! Today I would like to present Atargatis: [B]1st Coin:[/B] Syria, Cyrrhestica, Hierapolis, Caracalla, AD 198-217 AE 27, 12.8mm, 26.97mm, 135° Obv.: [AVTOKPATΩP KA]I MAPKOC AVPH ANTΩNINOC CE Bust, draped and cuirassed, laureate, r. Rev.: ΘEAC CVPIAC - IEPOΠOΛITΩN Atargatis, in long garment, std. l. on throne with high back, r. foot set on footstool, holding with l. hand tympanon on her l. knee, resting with r. arm on arm of throne; before and behind the throne a lion std. r. with wide open mouth. Ref.: Butcher, Coinage in Roman Syria, p.451, no.53, pl.27 (same obv. die) rare, about VF, dark green glossy patina, nice rev., highlighted by sand patina I was particularly taken with the opened throat of the rear lion! [ATTACH=full]945340[/ATTACH] [B]2nd Coin:[/B] Syria Cyrrhestica, Hierapolis, Severus Alexander, AD 222-235 AE 28, 18.3g, 0° Obv.: AVT KAI MAP A[VP CE AΛEZANDPOC] Bust, draped and cuirassed, radiate, r. Rev.: [ΘEAC CVPIAC IEPAΠO]ΛI / TΩN Atargatis riding right on lion, holding sceptre, sitting left Ref.: BMC 55 var. rare, about VF, some roughness Pedigree: ex coll. Penina, Manfra and Brookes, 1968 [ATTACH=full]945341[/ATTACH] [B]Background:[/B] Hieropolis in Syria Cyrrhestica was the famous cult centre of Atargatis called Dea Syria in the hellenism too (not to be confused with Dea Coelestis from Carthage). She was worshipped mostly together with the West-Semitic weather-god Baal-Hadad in Baalbek, Damascus, Palmyra, Dura-Europos but especially in Hieropolis and in Askalon. Her Greek name was Derketo. There were etymological connections to the Phoinicean goddess Aphrodite-Astarte and similarity in the character to Kybele-Rhea from Asia Minor.They all have the [I]syzygie[/I] (companionship) with a young male god of the type Adonis-Attis. The [I]parhedros[/I] (assisting companion) of Atargatis was Hadad. Lukian of Samosate called them Zeus and Hera and describes detailed the temple of Bambyke with its beautiful fragrance. Lukian talked of a trias of deities, the third formerly seen as misinterpretation of a deifyed vexillum, now seen more as a deus inferior like Kombabos. The novel of Stratonike-Kombabos shows in its castration motiv the influence of the Kybele ministration, and the orientalic hetaera character of Atargatis-Astarte, which is known from Derketo-Semiramis of Askalon too. This must be seen as evidence of her great fertility to which the young parhedros was addicted until his death. Her cult affirmation were veil, flowers, omphalos, sea procession, [I]hydrophoria[/I] (a libation festival), l[I]avatio[/I] (washing), tree burning ([I]pyra[/I]), ecstatic dancing, eviration and [I]phallolatria[/I] (worshipping of the phallos). Like the Phoinicean Astarte Atargatis was first a local numen, mistress of the city ([I]Baalat[/I]), with the [I]corona muralis [/I]of the Magna Mater. She is depicted with her lions and the bulls of Hadad. As [I]Potnia Therion[/I] (Mistress of the animals) the paradise of Bambyke belonged to her and the lake of the sacred fishes from Askalon. In this nature she expands to an universal range: The aetiologic legends of Derketo's leap into the lake and her transformation into a fish, her birth from an egg of the Euphrate assisted by fishes and doves and the dove metamorphosis of Semiramis not only serve as explanation of religious facts like the ichthyomorphismus (looking like a fish) or her fish and dove attributes. But the Syrian animal cult emphasizes with fish and dove two first-class exponents of animal fertility and so stresses the blessing power of Dea Syria over air and water. Her challenge to rule over sky and sea comes from her participation in characer elements of the Mesopotamian fish-goddess Nina-Ishtar and the West-Semitic dove mistress Semiramis-Astarte. Parallel to the spreading of her worshipping and syncretistic accommodation she was elevated to an all-creating World and Mother Goddess. She was the heir of the Ugaritic 'Asherat of the sea', on Delos the heir of the mediterranean Earth and Sky goddess Aphrodite-Ariadne. Via Sicily and the Italian harbours she came to Rome. Sueton writes in his 'De Vita Caesarum' about Nero: [I]He utterly despised all cults, with the sole exception of that of the Syrian Goddess and even acquired such a contempt for her that he made water on her image, after he was enamored of another, superstition, which was the only one to which he constantly clung. For he had received as a gift from some unknown man of the commons, as a protection against plots, a little image of a girl; and since a conspiracy at once came to light, he continued to venerate it as a powerful divinity and to offer three sacrifices to it every day, encouraging the belief that through its communication he had knowledge of the future. A few months before his death he did attend an inspection of victims, but could not get a favorable omen. [/I] She is often mentioned by Apuleius in his Metamorphoses too. With the Roman soldiers her cult reached the frontiers of the Empire. In Edessa, Haran and Nisibis her cult resisted the Christianity for a long time. In Haran the self-castration was known until the 9th century AD. Today Atargatis has a revival in the esoteric scene. She is used by Heavy Metal groups and in the Gothic scene. I have attached the famous painting 'Astarte Syriaca' of the Pre-Raphaelite Dante Gabriel Rosetti. [ATTACH=full]945342[/ATTACH] [B]Sources:[/B] (1) Lukian, De Dea Syria. online under [url]http://www.sacred-texts.com/cla/luc/tsg/index.htm[/url] (2) Apuleius, Metamorphoses (The golden ass) (3) Sueton, De Vita Caesarum [B][B]Secondary Literature[/B]:[/B] (1) Der kleine Pauly [B][B] Online Sources:[/B][/B] (1) [url]http://www.hausarbeiten.de/faecher/hausarbeit/gef/8075.html[/url] (2) [url]http://de.wikipedia.org/wiki/Dea_Syra[/url] Best regards[/QUOTE]
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