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<p>[QUOTE="Cicero12, post: 6063668, member: 114838"]A gorgeous piece of fantastic style!! I much prefer your example to the one you were an underbidder on. Yours just has “it.” </p><p><br /></p><p>The “De Guermantes” collection was reportedly that of the famed French dealer Jean Vinchon who surely saw a number of these staters over the course his long career and I think there’s a reason he held onto this one!</p><p><br /></p><p>For my own collection, I am very tolerant of minor marks and scratches, particularly where they are confined to the field, or else well-hidden by the design. In general “unintentional” defects really don’t bother me (scratches, flan flaws, scrapes, etc). I am far less tolerant of “intentional” alterations such as mounting, tooling, smoothing, etc. The closer these alterations come to the design of the piece, the more of a turn-off they become for me.[/QUOTE]</p><p><br /></p>
[QUOTE="Cicero12, post: 6063668, member: 114838"]A gorgeous piece of fantastic style!! I much prefer your example to the one you were an underbidder on. Yours just has “it.” The “De Guermantes” collection was reportedly that of the famed French dealer Jean Vinchon who surely saw a number of these staters over the course his long career and I think there’s a reason he held onto this one! For my own collection, I am very tolerant of minor marks and scratches, particularly where they are confined to the field, or else well-hidden by the design. In general “unintentional” defects really don’t bother me (scratches, flan flaws, scrapes, etc). I am far less tolerant of “intentional” alterations such as mounting, tooling, smoothing, etc. The closer these alterations come to the design of the piece, the more of a turn-off they become for me.[/QUOTE]
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