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<p>[QUOTE="jamesicus, post: 3738129, member: 14873"]Tantô (short sword or dagger) blade in wooden storage scabbard (shira-saya)</p><p><br /></p><p>Produced during the early Edo period.</p><p>(Mino Tradition Sue-Seki School)</p><p><br /></p><p>References:</p><ul> <li>The Connoisseur's Book of Japanese Swords, Kokan Nagayama, Kodansha International, Tokyo, 1995.</li> <li>Facts and Fundamentals of Japanese Swords, Nobuo Nakahara, Kodansha International, Tokyo, 2010.</li> <li>Mino Tô - Swords and Swordsmiths of Mino Province, Malcom E. Cox, Queensland University of Technology , Brisbane, 1993 (plus 1994 Supplement).</li> </ul><p><img src="https://jp29.org/0tanto01.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p><img src="https://jp29.org/0tanto12z.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>Blade made by Kanekado of Seki, Mino (Noshu) Province.</p><p><br /></p><p>This is a short sword blade (tantô) housed in a wooden storage scabbard (shira-saya) and inscribed with a kanji attribution (sayagaki). I bought this sword from Fred Weissberg, renowned Nihontô dealer, researcher and author, several years ago. He noted: ".......... It is in an old but good polish with no rust or problems of any kind .........."</p><p><br /></p><p>sugata:</p><p>Overall shape</p><p><br /></p><p><img src="https://jp29.org/0tanto02xx.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>The blade shape (sugata) and length is typical for tantô of this school. The length (nagasa) is 28.5 cm (11.25"). The width of the blade (mihaba) is 2.2 cm (.87") and the blade is thin in cross-section (kô-kasane).</p><p><br /></p><p><img src="https://jp29.org/0tanto19xx.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" />It is a straight blade with slight inward curvature (uchizori) toward the point (kissaki).</p><p><br /></p><p><img src="https://jp29.org/0tanto03xx.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>It is flat (hira-zukuri) without a ridge line (shinogi) or point dividing line (yokote). The back ridge (mune) is peaked (iori). The blade retaining collar (habaki) is overlaid with silver foil.</p><p><br /></p><p>jihada:</p><p>Blade surface grain and pattern</p><p>Activity (hataraki)</p><p><br /></p><p><img src="https://jp29.org/0tanto04.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p>The surface grain (jihada) is tight wood burl (kô-mokume).</p><p>Magnified photograph of section.</p><p><br /></p><p>hamon:</p><p>Blade edge temper pattern</p><p>Activity (hataraki)</p><p><br /></p><p><img src="https://jp29.org/0tanto02.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>The temper line pattern (hamon) is narrow straight (hoso-suguha) with a soft nioi (very fine martensite) edge. The point (kissaki) temper line (boshi) terminates in a small circle (komaru). The point shape is medium (chû-kissaki). Photo by Fred Weissberg - used by permission.</p><p><br /></p><p>nakago:</p><p>Tang</p><p><br /></p><p><img src="https://jp29.org/0tanto15b.jpg" class="bbCodeImage wysiwygImage" alt="" unselectable="on" /></p><p><br /></p><p>The tang (nakago) is unaltered (ubu) with one mounting hole (mekugi-ana). The shape is standard (futsu) and the butt shape (nakagojiri) is like a chestnut (kurijiri). The smith's signature (mei) is on the omote. The file marks on the tang (yasuri-me) are plane-drawing (sen-suki).</p><p><br /></p><p>The Kanekado who made this tantô was one of a long line of sword smiths (kaji) by that name from Mino Province.[/QUOTE]</p><p><br /></p>
[QUOTE="jamesicus, post: 3738129, member: 14873"]Tantô (short sword or dagger) blade in wooden storage scabbard (shira-saya) Produced during the early Edo period. (Mino Tradition Sue-Seki School) References: [LIST] [*]The Connoisseur's Book of Japanese Swords, Kokan Nagayama, Kodansha International, Tokyo, 1995. [*]Facts and Fundamentals of Japanese Swords, Nobuo Nakahara, Kodansha International, Tokyo, 2010. [*]Mino Tô - Swords and Swordsmiths of Mino Province, Malcom E. Cox, Queensland University of Technology , Brisbane, 1993 (plus 1994 Supplement). [/LIST] [IMG]https://jp29.org/0tanto01.jpg[/IMG] [IMG]https://jp29.org/0tanto12z.jpg[/IMG] Blade made by Kanekado of Seki, Mino (Noshu) Province. This is a short sword blade (tantô) housed in a wooden storage scabbard (shira-saya) and inscribed with a kanji attribution (sayagaki). I bought this sword from Fred Weissberg, renowned Nihontô dealer, researcher and author, several years ago. He noted: ".......... It is in an old but good polish with no rust or problems of any kind .........." sugata: Overall shape [IMG]https://jp29.org/0tanto02xx.jpg[/IMG] The blade shape (sugata) and length is typical for tantô of this school. The length (nagasa) is 28.5 cm (11.25"). The width of the blade (mihaba) is 2.2 cm (.87") and the blade is thin in cross-section (kô-kasane). [IMG]https://jp29.org/0tanto19xx.jpg[/IMG]It is a straight blade with slight inward curvature (uchizori) toward the point (kissaki). [IMG]https://jp29.org/0tanto03xx.jpg[/IMG] It is flat (hira-zukuri) without a ridge line (shinogi) or point dividing line (yokote). The back ridge (mune) is peaked (iori). The blade retaining collar (habaki) is overlaid with silver foil. jihada: Blade surface grain and pattern Activity (hataraki) [IMG]https://jp29.org/0tanto04.jpg[/IMG] The surface grain (jihada) is tight wood burl (kô-mokume). Magnified photograph of section. hamon: Blade edge temper pattern Activity (hataraki) [IMG]https://jp29.org/0tanto02.jpg[/IMG] The temper line pattern (hamon) is narrow straight (hoso-suguha) with a soft nioi (very fine martensite) edge. The point (kissaki) temper line (boshi) terminates in a small circle (komaru). The point shape is medium (chû-kissaki). Photo by Fred Weissberg - used by permission. nakago: Tang [IMG]https://jp29.org/0tanto15b.jpg[/IMG] The tang (nakago) is unaltered (ubu) with one mounting hole (mekugi-ana). The shape is standard (futsu) and the butt shape (nakagojiri) is like a chestnut (kurijiri). The smith's signature (mei) is on the omote. The file marks on the tang (yasuri-me) are plane-drawing (sen-suki). The Kanekado who made this tantô was one of a long line of sword smiths (kaji) by that name from Mino Province.[/QUOTE]
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