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<p>[QUOTE="dougsmit, post: 2619131, member: 19463"]That one is CFL. I have no preference between CFL and LED as long as you have one of the daylight balance types with a high CRI. Color Rendering Index, or CRI, is a measure of how well the bulb mimics a continuous spectrum of colors. It is harder to reproduce colors properly if you have gaps in the spectrum. Some lights are high (95 or so) and others (sodium vapor in parking lots, for example) have pretty much one color so you can not color correct. High CFI bulbs usually say so on the package and cost more. Worth it? That depends on the colors you are trying to reproduce. Sometimes we just drop back and punt (aka postprocess) as best we can. Light purists will be aghast at that.</p><p><br /></p><p>Daylight balance is nice but bulb makers apply the term to a rather wide range of color temperatures (5000 to 6500 or so) but it makes little difference if you are using manual white balance to set up your camera. My LED ringlight is a little colder than my other bulbs so I suffer sometimes. You can buy correction filters to place over lights but I am not that into it and make do as it is. It is better if all lights used in one shot are the same but I have so many bulbs kicking around now that is not always the case. </p><p><br /></p><p>I won't be buying any more CFL bulbs as long as I can get good LED's but I'm not throwing out the ones I have and they probably have a longer life expectancy than I do. I do not recommend buying large quantities of light bulbs in advance. The first CFL's and first LED's were not nearly as good as the current crop. I suspect next year's group will be better as well. Don't buy those 2700 degrees Kelvin orange bulbs made for people who liked the warmth of the old incandescent bulbs in their lamps. Stick to daylight for photos.[/QUOTE]</p><p><br /></p>
[QUOTE="dougsmit, post: 2619131, member: 19463"]That one is CFL. I have no preference between CFL and LED as long as you have one of the daylight balance types with a high CRI. Color Rendering Index, or CRI, is a measure of how well the bulb mimics a continuous spectrum of colors. It is harder to reproduce colors properly if you have gaps in the spectrum. Some lights are high (95 or so) and others (sodium vapor in parking lots, for example) have pretty much one color so you can not color correct. High CFI bulbs usually say so on the package and cost more. Worth it? That depends on the colors you are trying to reproduce. Sometimes we just drop back and punt (aka postprocess) as best we can. Light purists will be aghast at that. Daylight balance is nice but bulb makers apply the term to a rather wide range of color temperatures (5000 to 6500 or so) but it makes little difference if you are using manual white balance to set up your camera. My LED ringlight is a little colder than my other bulbs so I suffer sometimes. You can buy correction filters to place over lights but I am not that into it and make do as it is. It is better if all lights used in one shot are the same but I have so many bulbs kicking around now that is not always the case. I won't be buying any more CFL bulbs as long as I can get good LED's but I'm not throwing out the ones I have and they probably have a longer life expectancy than I do. I do not recommend buying large quantities of light bulbs in advance. The first CFL's and first LED's were not nearly as good as the current crop. I suspect next year's group will be better as well. Don't buy those 2700 degrees Kelvin orange bulbs made for people who liked the warmth of the old incandescent bulbs in their lamps. Stick to daylight for photos.[/QUOTE]
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