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<p>[QUOTE="Nvb, post: 3702824, member: 99531"]My Classical owl was lonely, so I got her a friend!</p><p>She is no more or less wise than her older counterpart, but does have a few hundred years more history to reflect upon.</p><p>While she isnt as iconic or powerful as her predecessor, she is just as refined, elegant and worthy in every way.</p><p><br /></p><p>This is my first purchase from Harlan Berk. The short videos are IMO a wonderful way to showcase the coin as it looks in hand. It certainly helped me feel confident about my purchase. I LOVE the deep strike and sharpness of detail, particularly the Athena's headdress. This is what I was looking for in a new style Tetradrachm above all other things, so was willing to live with the slight lack of toning - that should come back in time after all =)</p><p><br /></p><p><br /></p><p>[MEDIA=vimeo]344655407[/MEDIA]</p><p><br /></p><p>(Mods, did I do that right? I do not want to infringe on copyrights)</p><p><br /></p><p>Attica, Athens, New Style; Magistrates Mened- and Epigeno-, Asklepios, c. 135/4 BC, Tetradrachm, 16.90g. Thompson-353, rev. like a which equals 352b, but neither of these coins is illustrated. Obv: Helmeted head of Athena r. Rx: Owl standing r. on amphora, head front; ethnic and magistrates' names l. and r., in l. field Asklepios standing l., leaning on serpent staff; third magistrate EΠIΓO in r. field (final O impinges on wreath), Z on amphora (written like sideways H), ME below; all within olive wreath. Right obverse field and cheek of Athena strongly cleaned. EF</p><p><br /></p><p>I really do think the New Style tets are an underrated type with a huge number of variations and nuances to choose from. Post them if you've got them, or feel free to add any cultural or educational context to this issue of coins that ran from 164BC to 40BC[/QUOTE]</p><p><br /></p>
[QUOTE="Nvb, post: 3702824, member: 99531"]My Classical owl was lonely, so I got her a friend! She is no more or less wise than her older counterpart, but does have a few hundred years more history to reflect upon. While she isnt as iconic or powerful as her predecessor, she is just as refined, elegant and worthy in every way. This is my first purchase from Harlan Berk. The short videos are IMO a wonderful way to showcase the coin as it looks in hand. It certainly helped me feel confident about my purchase. I LOVE the deep strike and sharpness of detail, particularly the Athena's headdress. This is what I was looking for in a new style Tetradrachm above all other things, so was willing to live with the slight lack of toning - that should come back in time after all =) [MEDIA=vimeo]344655407[/MEDIA] (Mods, did I do that right? I do not want to infringe on copyrights) Attica, Athens, New Style; Magistrates Mened- and Epigeno-, Asklepios, c. 135/4 BC, Tetradrachm, 16.90g. Thompson-353, rev. like a which equals 352b, but neither of these coins is illustrated. Obv: Helmeted head of Athena r. Rx: Owl standing r. on amphora, head front; ethnic and magistrates' names l. and r., in l. field Asklepios standing l., leaning on serpent staff; third magistrate EΠIΓO in r. field (final O impinges on wreath), Z on amphora (written like sideways H), ME below; all within olive wreath. Right obverse field and cheek of Athena strongly cleaned. EF I really do think the New Style tets are an underrated type with a huge number of variations and nuances to choose from. Post them if you've got them, or feel free to add any cultural or educational context to this issue of coins that ran from 164BC to 40BC[/QUOTE]
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