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<p>[QUOTE="NorthKorea, post: 2416916, member: 29643"]I snipped the parts that weren't really addressing my concern.</p><p><br /></p><p>I appreciate your response, and have the following concerns:</p><p><br /></p><p>For coin photography, don't you *want* to shoot manual focus, anyway? Copystand + cheap Nikon dSLR + 105 microNikkor = $280 give or take. Yes, you can't shoot full slabs without changing a lens, but the 18-55 kit lens seems viable for that purpose.</p><p><br /></p><p>The 105 gives enough working distance that axial lighting isn't really necessary (unlike the 50mm microNikkor, which you can get in manual for as low as $5).</p><p><br /></p><p>Now this is a sincere question, as I've shot large format sports photography before (not the best idea, but you capture a lot of the action when shooting at infinity): How does a bellows not impede light when they're approximately the same diameter as the lense, but even longer (when increasing magnification)?</p><p><br /></p><p>BTW, for those who have problems shooting manual with a digi fixed setup, I've found that using the camera's digital zoom helps with this. You zoom in as far as you can digitally, and focus *that* image. It works similarly (in concept) to focusing with a prism.[/QUOTE]</p><p><br /></p>
[QUOTE="NorthKorea, post: 2416916, member: 29643"]I snipped the parts that weren't really addressing my concern. I appreciate your response, and have the following concerns: For coin photography, don't you *want* to shoot manual focus, anyway? Copystand + cheap Nikon dSLR + 105 microNikkor = $280 give or take. Yes, you can't shoot full slabs without changing a lens, but the 18-55 kit lens seems viable for that purpose. The 105 gives enough working distance that axial lighting isn't really necessary (unlike the 50mm microNikkor, which you can get in manual for as low as $5). Now this is a sincere question, as I've shot large format sports photography before (not the best idea, but you capture a lot of the action when shooting at infinity): How does a bellows not impede light when they're approximately the same diameter as the lense, but even longer (when increasing magnification)? BTW, for those who have problems shooting manual with a digi fixed setup, I've found that using the camera's digital zoom helps with this. You zoom in as far as you can digitally, and focus *that* image. It works similarly (in concept) to focusing with a prism.[/QUOTE]
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