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<p>[QUOTE=&quot;john41, post: 1960101, member: 56428&quot;]Chris thank you for your opinion. Here is a diagnostic for others who read this post by Sunnywood one of the most prominent Toned Morgan collectors and the creator of the Sunnywood color progression chart.</p><p>Classic third cycle color, bits of blue-green (Q) and emerald green (R) progressing to primarily &quot;gold over green&quot; (S) and magenta (T) on the Sunnywood color chart; definitely natural toning, look at the &quot;pull-away&quot; effect south side of the date numerals, and the classic textile toning on the portrait. The textile dots are always 1-2 color levels below the surrounding areas, as the &quot;dots&quot; are where the high points of the burlap weave contacted (and therefore protected) the coin, so that those high points toned slightly less than the surrounding areas, producing the effect of &quot;textile dots.&quot;</p><p><br /></p><p>Nice coin !!</p><p><br /></p><p>P.S. you can quote this on your thread if you like.</p><p><br /></p><p>Sunnywood </p><p>For textile toning the dots are very often not even due to bag stretch, the weave and the characteristics of burlap.[/QUOTE]</p><p><br /></p>

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