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<p>[QUOTE="IdesOfMarch01, post: 1756386, member: 39084"]I think it would be fascinating and enlightening for members to post the criteria by which they would judge a coin to be "great." I'll start the discussion by proposing a few candidate criteria. (Disclaimer: I don't have the <i>100 Greatest Coins</i> book myself, nor have I read it, but I assume it contains a section describing their criteria for choosing the coins. Feel free to include whatever criteria you think is appropriate, whether or not the book itself used any of those.) Note that I'm not saying the criteria on this list are either necessary or sufficient, just that they're candidates.</p><p> </p><p>1. Quality of die engraving.</p><p> </p><p>This criteria is sometimes loosely referred to as "style" but however you define it, clearly some coins show better quality than others. For example, there are large numbers of Galba sestertii by different engravers, some clearly better than others. Some Greek coins in particular (such as Doug cites, above) are stunningly beautiful especially relative to the quality of the engraving tools available at the time.</p><p> </p><p>2. Historical significance.</p><p> </p><p>While the Ides of March denarius may not be particularly well-engraved or attractive, its historical significance cannot be ignored. Conversely, many other denarii are much better engraved and attractive, but cannot be considered great by any criteria.</p><p> </p><p>3. Significance of obverse/reverse subject matter.</p><p> </p><p>Certainly, a collector would rather have a Caligula sestertii with the Ad Locutio or Three sisters reverse, rather than a more common subject matter. How about a sestertius with the Colosseum? Is subject matter important in considering a coin to be great? </p><p> </p><p>4. Rarity.</p><p> </p><p>This might be a little more controversial, since rarity alone doesn't make an ancient coin "great," but certainly it should be taken into consideration.</p><p> </p><p>5. Metal (gold, silver, bronze).</p><p> </p><p>Does this matter? Is a gold coin more of a candidate for greatness than a silver coin?</p><p> </p><p>6. Innovativeness.</p><p> </p><p>Does a physical design that introduces a hole, or a square rather than round coin, or the first issue of a more valuable metal designed to replace larger, more cumbersome metals, warrant greatness?</p><p> </p><p>7. Quality of strike/condition.</p><p> </p><p>As opposed to the first six criteria, this applies to an individual coin rather than an issue. E.g., is a better quality Ides of March great, where a poor quality example of the same coin isn't?</p><p> </p><p> </p><p>Serious comments welcomed![/QUOTE]</p><p><br /></p>
[QUOTE="IdesOfMarch01, post: 1756386, member: 39084"]I think it would be fascinating and enlightening for members to post the criteria by which they would judge a coin to be "great." I'll start the discussion by proposing a few candidate criteria. (Disclaimer: I don't have the [I]100 Greatest Coins[/I] book myself, nor have I read it, but I assume it contains a section describing their criteria for choosing the coins. Feel free to include whatever criteria you think is appropriate, whether or not the book itself used any of those.) Note that I'm not saying the criteria on this list are either necessary or sufficient, just that they're candidates. 1. Quality of die engraving. This criteria is sometimes loosely referred to as "style" but however you define it, clearly some coins show better quality than others. For example, there are large numbers of Galba sestertii by different engravers, some clearly better than others. Some Greek coins in particular (such as Doug cites, above) are stunningly beautiful especially relative to the quality of the engraving tools available at the time. 2. Historical significance. While the Ides of March denarius may not be particularly well-engraved or attractive, its historical significance cannot be ignored. Conversely, many other denarii are much better engraved and attractive, but cannot be considered great by any criteria. 3. Significance of obverse/reverse subject matter. Certainly, a collector would rather have a Caligula sestertii with the Ad Locutio or Three sisters reverse, rather than a more common subject matter. How about a sestertius with the Colosseum? Is subject matter important in considering a coin to be great? 4. Rarity. This might be a little more controversial, since rarity alone doesn't make an ancient coin "great," but certainly it should be taken into consideration. 5. Metal (gold, silver, bronze). Does this matter? Is a gold coin more of a candidate for greatness than a silver coin? 6. Innovativeness. Does a physical design that introduces a hole, or a square rather than round coin, or the first issue of a more valuable metal designed to replace larger, more cumbersome metals, warrant greatness? 7. Quality of strike/condition. As opposed to the first six criteria, this applies to an individual coin rather than an issue. E.g., is a better quality Ides of March great, where a poor quality example of the same coin isn't? Serious comments welcomed![/QUOTE]
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