Some variants of the type show the capricorns' bodies connected or overlapping with a much larger shield above. Despite the difference, they are all assigned the same RIC number.
@David Atherton - anything to share on the significance of capricorns to Titus, or to the Flavians in general? Here's Titus again, in his own right, with a single capricorn. This well-worn but attractively cabinet-toned piece was in my first Roman collection, ten years ago. It was a favorite. I'm a Capricorn myself, astrologically speaking, so I gravitate to these. Why do the Capricorns always seem to be accompanied by a globe they're leaping over? Is there some "mastery of the seas" symbolism going on there?
The Rome mint under Vespasian recycled many antiquarian types from the past, especially those struck for Octavian/Augustus. The capricorn was Augustus' birth sign, so it showed up frequently on his coinage as well as those coins struck for Vespasian. The more a 'new man' like Vespasian could emulate the founder of the empire, so much the better!
@Orfew has a capricorn denarius of Augustus, which you can see here. What strikes me about Roman iconography is how consistent it could be, across centuries and hundreds of miles. This provincial coin was struck way out in the provinces 250 years after Orfew's denarius. Yet it's pretty much the same design, down to the globe between the forelegs and the cornucopiae on the capricorn's back. Cornelia Supera, AD 253 Roman provincial Æ 20.5mm, 3.78g Mysia, Parium, AD 253 Obv: G CORN SUPERA, diademed and draped bust right Rev: C. G. I. H. P., Capricorn right, cornucopia on back; globe between legs (Sear describes as a star, but this appears to be a globe) Refs: SGI 4408 (var.); SNG Von Aulock 7448.
On its way back from NGC, finally. I figured @Deacon Ray wouldn't object to my trumpeting the plastic outcome of my coin, despite the contentious nature of the whole "ancients in slabs" debate, and the totally unnecessary nature of the slabs. (Yes, dear naysayers, I do occasionally question my own "wisdom" in entombing my ancients, but continue to do so ... for the time being.) I am pleased, despite the very long turnaround and the expense.
Great coins, folks, by the way! I really like these capricorns, but I need one to my collection. The coin that I have that comes closest to these denarii is my aureus fourrée: DIVUS VESPASIAN, posthumous memorial fouree gold aureus, copying an issue struck by TITUS, 79 AD. DIVVS AVGVSTVS VESPASIANVS, laureate head of Divus Vespasian right. Reverse - S C inscribed on shield supported by two capricorns, orb below. RCV 2569, scarce. It’s an interesting coin, really. But trust me, it’s worst in hands...
Nice and interesting examples of capricorn/Vespasian denarii. I don't have any capricorn to show, and the only Vespasian commemoratives I can contribute with were minted not far from two centuries later : Vespasianus, Antoninianus Rome mint AD 250/251 DIVO VESPASIANO Radiate head right CONSECRATIO Large altar 4.13 gr Ref : RIC IV # 80, Cohen # 652, RCV # 9461 in qblay's catalog : VE31/P178 Vespasianus, Antoninianus Rome mint AD 250/251 DIVO VESPASIANO Radiate head right CONSECRATIO Eagle facing 2.71 gr Ref : RIC IV # 79, Cohen # 651, RCV # 9460, in qblay's catalog : VE46/A124 ex. CNG Q
Were there actual aureii of this type, or is that fourree a contemporary "fantasy" of sorts? I have never been able to get past my reaction to the aesthetic qualities of fourees, but they are certainly fascinating. I wonder how often they've turned up in famous hoards, like at Pompeii, and what lessons they've taught numismatists.
Congratulations—it's a beautiful coin, Lord Marc! Slabbing is a journey that many of us have traveled. I have not been slabbing any of my recent acquisitions because I'm having fun creating alternate display and presentation methods. I no longer feel the need to have the NGC guys (as much as I respect their opinions) inspect my coins. I have total trust in my dealers and have no doubts of the authenticity of my ancients.
The first question was answered by David with mastery. As for the fourrées, they have always fascinated me. Of course I don't believe they are all old forgeries, just struck to deceive their bearer. I also believe that some were struck using official dies, both officially and "off label". Once I read an article, but I can't remember which one, where 1 in 7 or 1 in 10 denarii were officially fourrées, in order to provide a retention of precious metal to the Treasury, thus with the State being able to retain more money, controlling the inflation. This of course doesn't apply to aureii or other gold coins. These were undoubtedly made by forgeries with the intention of winning over them. The most incredible thing is that the penalty for this type of felony was to play the damned to beasts (damnatio ad bestias). That is, an illicit activity of high risk. The information I have of some treasure finds does not match however with the ratio presented above. I believe that by hoarding silver coins, their owners were much more careful and avoided it. Probably on finding a fourrée, it was returned to circulation. In a recent finding in the north of Portugal, which I am aware of, of about 2,500 denarii founded, less than 10 were fourrées.
If you had a piggy bank and a handful of coins, wouldn't you tend to save the better ones and see if you could not slip the lesser ones off on someone else. That is why there are so many worn denarii of Mark Antony. His coins were debased to Trajan period levels and circulated while folks saved their Neros. Why save a fourree?
I suppose folks were a lot better at detecting a debased coin back then. Did they use balance scales a lot, or were they attentive to variations in color, I wonder? Maybe both? I suppose a lot of these fourrees that look really wretched today were more convincing in their time.
Believe me, if I could create such awesome looking displays, I too would rethink my stance on slabs (at least for my ancients). That's a remarkable looking presentation, DR. Some museums could learn a thing or two from you.
A too-cursory glance could easily lead to that conclusion, leading one to think someone was in fact continuing to pursue their hobby from beyond the veil.