So basically one is saying that luster is created by 'shallow' grooves (may be off on what the term actually is on a fresh die) and as the die is used and the planchets are struck, the face of the die wears down, which still gives luster up until the point that the grooves are not shallow enough to reflect light properly for luster. It still will from then on create the other type, so to speak, of luster, which isn't properly luster because it is being created from too deep of grooves to reflect the proper light. People just call it luster because they are recognizing it as shiny and reflective, but more properly it is not luster because that has been destroyed in the minting by flow lines on the die being too deep or wrongly angled, or such. And of course, since luster is such a ephemeral type of quality, easily destroyed just be rubbing down the small amount of proper depth grooves that create it, it is necessary to be able to properly spot it. Is this correct?????
As we get in elementary Chemistry classes, metals have certain characteristics, including ductility and malleability. The ability to be drawn into wires and the ability to be deformed by stress into sheets (or coins or auto fenders if they are in the correct die). Doesn't have to be liquid.
Kentucky, wouldn't it be more correct to say that, during the strike, metal behaves in ways more usually expected from a liquid than a solid? That's how I've always visualized it.
To my mind, any dimensional alteration in the position of individual molecules for mechanical reasons should qualify as "flow." To split hairs, the speed with which it happens also factors.
No more or less than a coin does. The process, as applied to coins, is known as "cold flow," and is quite different from liquid flow. No. This is a common myth, but Corning breaks it down here: http://www.cmog.org/article/does-glass-flow
What colloquial (teachable) verb is appropriate for the physical behavior of metal during a strike? The symptoms, to me, are similar.
Creep is certainly analagous to the "flow" of glass. However, creep is defined as deformation under a low load for an extended period of time. A coining chamber has neither low load, nor a long time. The correct term, in materials sciences, is cold flow. It is related to the ductility of a material. After the applied stress exceeds the yield stress, there is permanent deformation of the material, and it conforms to the die.
Flow is the term we use, no idea who used it first to describe what happens, but I'm sure it was a long time ago. Other than flow, I would say that squeezed is probably as good a word as any to describe what happens to the metal when a coin is struck. The metal is squeezed by pressure into the recesses of the die. I suppose you could also say it is pushed, but that just doesn't convey the same image, in my mind anyway, of what is going on with the metal. Of the three, I think flow is best.
Thanks, guys. I'm entirely self-taught, and there are some surprising gaps in my knowledge as a result. This was one of them.
I think it might be worthwhile here to bring up another point regarding the look of luster. It's something that we've discussed at length in the past, but it really doesn't come up all that often, and I think there's a lot of people that have never really noticed it. But once you do notice it, I think it helps with understanding luster. So what am I talking about ? I'm talking about the different looks of luster on different coins. Take a half dollar for example, compare the luster on a Seated, Barber, a Frankie, and a Kennedy - all silver. On each and every one of those coins the luster looks different. But they're all half dollars and they're all silver. Same thing happens with all the other denominations. Now some people question this idea, this concept. They might even claim it isn't so that they are all the same. But are they ? No they are not, they actually are all different. And you can easily see it if you take the time to really look. Now because there was disagreement with this concept one of our members took the time to take some high magnification photographs so you could actually see the flow lines and compare them. And sure enough they were all different on the different series of the same denominations. So what's the point ? The point is that understanding this helps you realize just how many different looks luster can have. And that helps us understand the differences in the looks of luster on coins of the same series. There are many different variables that determine the luster a give coin has. The design of the coin, the relief of the coin, the metal being used, the quality of the planchets, planchet preparation, die preparation, the strike pressure, the die alignment, the die spacing, the amount, or lack of, die wear, all of these things and more affect the luster of a given coin.
Thanks to physics-fan3.14 explanations + Kentucky, Paul M., BadThad, SuperDave and Doug, it looks like no one who reads the LAST FEW PAGES (#3 on) of this thread on CT should have any misconceptions about what luster is, what coin luster refers to, how coin luster is produced, the types of coin luster, planchet flow during the strike, die erosion, etc. This has been explained to be true. Now, if a poster has the time to condense all the corrected info in this thread, I believe it should be posted in the "important info section" for newbies. I shall try this week.